Comedy

Honeymoon Season 1

Honeymoon Season 1 (2020) HDRip Watch Online Free

Honeymoon Season 1 (2020) HDRip Watch Online Free

Directed by: Sakkath Studio
Starring by: Nagabhushana, Sanjana Anand, Pawan Kumar
Genres: Romance, Comedy
Country: India
Language: Telugu

Storyline:
After consenting to an arranged marriage, Praveen and Tejaswini embark on a journey filled with unexpected events and galore of emotions, and their unplanned honeymoon turns out to be the best decision ever.

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Review:
From the title, you would expect it to be a romantic-genre film unless you are aware of the fact that it is a Samaresh Basu-inspired story that has been earlier made into a Soumitra Chatterjee-Aparna Sen-Utpal Dutt starrer, Chhutir Phande (1975). More aptly named then, the story is a perfect recipe for situational comedy that is rare in Indian cinema.
The film begins with a scene between Geetin and his boss Pranesh Bhattacharya, which sets the tone . Mallick is projected as the overbearing boss right from the word go, with his voice blaring from Geetin’s phone at midnight, all excited about work. Soham is convincing as the disinterested-but-obedient employee here. Cut to the next scene and Jayati is upset over not being able to go for honeymoon even after a year of their marriage. Playing a simple and complaining homemaker-wife, Subhashree surprises you with her transformation from the usual glam doll avatar to this — but it’s a pleasant one.
As a desperate Geetin starts on an adventurous trip, the plot is all set for a roller-coaster ride of laughter. But soon you will count scenes longing for the honeymooning couple to come across their boss at the North Bengal bungalow. Some forced comedy in-between and the usual caricature of the bungalow daju are not the LOL moments you are looking for.
That it is cinematographer P B Chaki’s debut directorial is evident from the scenic shots of the hills. Only the CGI birds are jarring to the eye. Also, the graphics along with the credits need some more work. Screenplay and dialogue writer Padmanava Dasgupta, who gives us some hilarious moments between Mallick and Subhashree later, misses the bus by delaying the boss’s arrival. True that the confusion surrounding Mallick’s itinerary leads to the comedy of errors but it also infuses some necessary-yet-forced romantic scenes between the lead pair. Well, the film does qualify for a good comic caper but not a romcom.
Now, re-enter Mallick and the story begins to roll. And no, not downhill. The high points are all the scenes between a hyper-but-funny Mallick and on-point-expressive Subhashree. There’s this hilarious moment when Pranesh asks Jayati who was she calling from the window when she says she is alone at the bungalow. Jayati is quick to reply that she was scaring the crows away. But similar scenes where Soham and Rudranil try to master a plan to save Subhashree from Mallick’s clutches are not as funny. The best part is keeping the audience guessing why Pranesh takes such interest in being with Jayati.
Except for the song where Pranesh asks Jayati to sing, all others are there for embellishment but still hummable. The slapstick comedy takes a U-turn at the end and has an unbelievable corporate scene. But you need to take it in the right humour.

Biscoth Tamil Full Movie

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Biscoth Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: R. Kannan
Starring by: Anandraj, Tara Alisha Berry, Swathi Muppal
Genres: Comedy
Country: India
Language: Tamil

Storyline:
The story revolves around 3 generations where the three individuals played by Santhanam and they have no relation to each other. The mysteries and correction of mistakes in the past forms the story.

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Good Timepass Masala Mix with fine messages. Short and Sweet. Logical Spoof Comedy. Santhanam bro fulfilled and scored in all those scenes with his performance and counters in various getups. Seems really wonder with the art work and visual effects in this small budget film. Well designed costumes in the story portions. Enjoyed to watch it. Good work team! Congratulations. It’s a crisper snack for relaxation!

This is just a dissapointing movie again for hero Santhanam…..the plot is just a bed time story of a grandma that happens in reality in next day…….the forced comedy and bad screenplay make it worstThe story revolves around 3 generations where the three individuals played by Santhanam and they have no relation to each other. The mysteries and correction of mistakes in the past forms the story.

Good Timepass Masala Mix with fine messages. Short and Sweet. Logical Spoof Comedy. Santhanam bro fulfilled and scored in all those scenes with his performance and counters in various getups. Seems really wonder with the art work and visual effects in this small budget film. Well designed costumes in the story portions. Enjoyed to watch it. Good work team! Congratulations. It’s a crisper snack for relaxation!

This is just a dissapointing movie again for hero Santhanam…..the plot is just a bed time story of a grandma that happens in reality in next day…….the forced comedy and bad screenplay make it worstThe story revolves around 3 generations where the three individuals played by Santhanam and they have no relation to each other. The mysteries and correction of mistakes in the past forms the story.

Good Timepass Masala Mix with fine messages. Short and Sweet. Logical Spoof Comedy. Santhanam bro fulfilled and scored in all those scenes with his performance and counters in various getups. Seems really wonder with the art work and visual effects in this small budget film. Well designed costumes in the story portions. Enjoyed to watch it. Good work team! Congratulations. It’s a crisper snack for relaxation!

This is just a dissapointing movie again for hero Santhanam…..the plot is just a bed time story of a grandma that happens in reality in next day…….the forced comedy and bad screenplay make it worstThe story revolves around 3 generations where the three individuals played by Santhanam and they have no relation to each other. The mysteries and correction of mistakes in the past forms the story.

Good Timepass Masala Mix with fine messages. Short and Sweet. Logical Spoof Comedy. Santhanam bro fulfilled and scored in all those scenes with his performance and counters in various getups. Seems really wonder with the art work and visual effects in this small budget film. Well designed costumes in the story portions. Enjoyed to watch it. Good work team! Congratulations. It’s a crisper snack for relaxation!

This is just a dissapointing movie again for hero Santhanam…..the plot is just a bed time story of a grandma that happens in reality in next day…….the forced comedy and bad screenplay make it worstThe story revolves around 3 generations where the three individuals played by Santhanam and they have no relation to each other. The mysteries and correction of mistakes in the past forms the story.

Like a Boss Telugu Dubbed Movie

Like a Boss Telugu Dubbed Movie (2020) BRRip Watch Online Free

Like a Boss Telugu Dubbed Movie (2020) BRRip Watch Online Free

Directed by: Miguel Arteta
Written by: Sam Pitman, Adam Cole-Kelly
Starring by: Tiffany Haddish, Rose Byrne, Salma Hayek
Genres: Comedy
Country: USA
Language: Telugu

Storyline:
Two friends with very different ideals start a beauty company together. One is more practical while the other wants to earn her fortune and live a lavish lifestyle.Two friends with very different personalities run their own beauty company, Mia&Mel. Mia (Tiffany Haddish) is more practical and inventive, while Mel (Rose Byrne) wants to earn her fortune quickly and live a lavish lifestyle.

Things take a turn for the worse when their company runs into debt, forcing them to turn to unscrupulous benefactor Claire Luna (Salma Hayek), head of a major cosmetics empire, who intends to steal the business out from under them. The two must address their differences to save their business, as they are faced with the challenge of ‘proving’ themselves to Luna even as Luna steals their ‘one-night-stand’ bag idea and has it marketed through one of her other companies, as well as forcing them to fire one of their workers Barrett (Billy Porter), the other is Sydney (Jennifer Coolidge).

Mia and Mel briefly ‘split up’ through their different approaches to Luna’s offer, but they reconcile when their friends help them face how they need each other. Faced with the possible loss of their business, Mia and Mel approach Shay (Lisa Kudrow), Luna’s former business partner, to start a new company, Proud Cosmetics, marketing their new ‘Ride or Die’ product, make-up intended to be used by best friends together to face their nights out. With this loophole, Mia and Mel are able to produce and market ‘Ride or Die’ under the ‘Proud’ banner while Luna takes ownership of Mia&Mel while still required to pay them 49% of all subsequent earnings. Mia and Mel also bring along Sydney and Barrett to the new company.

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user Review:
If you watched the trailer and thought it made the movie look trashy, you’re wrong. It’s way worse than the trailer. This movie is garbage and offensive in so many ways. In movie terms, the humor in this movie is BLUE. That means very inappropriate. It’s raunchy and vulgar from the very first sentence in the movie. Why do women have to be portrayed that way to prove they can be powerful in business? Written and directed by men, this cringe-worthy gal-pal comedy showcases female empowerment gone wrong. Women deserve so much better.

January movies are notoriously horrible and Like a Boss is perfect for a January release. You can read the rest of my Movie Review Mom (dot) com.

Sixer Hindi Dubbed Movie

Sixer Hindi Dubbed Movie (2019) HDRip Watch Online Free

Sixer Hindi Dubbed Movie (2019) HDRip Watch Online Free

Directed and written by: Chachi
Starring by: Vaibhav Reddy, Palak Lalwani, Sathish
Genres: Comedy
Country: India
Language: Hindi

Storyline:
Aadhi is a civil engineer who lives a happy life with his cute family comprises of his parents. Aadhi’s biggest worry is his nyctalopia, as he can’t see anything after 6 pm so his marriage also becomes a big question mark! A site engineer, who suffers from night blindness, gets into trouble when he is mistaken for the leader of a protest group by a goon. His life becomes even more complicated after he falls in love. Aadhi (Vaibhav), who hails from a middle-class family, suffers from nyctalopia, and hence, ensures he reaches back home before 6pm. His life, which includes father, mother and a friend, is all about the remaining 12 hours. One day, Aadhi realises that he can’t return home before the cut-off time and asks his friend to pick him up at a place where a protest, which he is not aware of, is taking place. A politician with a criminal record (RNR Manohar), against whom the protest happens, misconstrues Aadhi to be its leader, and goes after his life. After knowing the issue, an enraged Aadhi goes to pick up a fight with Krithika (Pallak Lalwani), the news reader who covered his ‘participation’ in the protest. His life gets entangled in more problems when he falls for the girl.

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A protagonist who deals with night blindness – he is clueless about the world after 6pm in the evening, to be precise… A comedy based on this concept provides plenty of opportunities to engage the audience by evoking laughter. Directed by Chachi, Sixer has a few scenes which are worked on the protagonist’s inability. The question is whether those are enough to entertain the viewers for more than two hours.

Aadhi (Vaibhav), who hails from a middle-class family, suffers from nyctalopia, and hence, ensures he reaches back home before 6pm. His life, which includes father, mother and a friend, is all about the remaining 12 hours. One day, Aadhi realises that he can’t return home before the cut-off time and asks his friend to pick him up at a place where a protest, which he is not aware of, is taking place. A politician with a criminal record (RNR Manohar), against whom the protest happens, misconstrues Aadhi to be its leader, and goes after his life. After knowing the issue, an enraged Aadhi goes to pick up a fight with Krithika (Pallak Lalwani), the news reader who covered his ‘participation’ in the protest. His life gets entangled in more problems when he falls for the girl.

Sixer has some of the the necessary ingredients to entertain viewers, but the comedy works only in parts. Vaibhav aptly fits in his role and scores well in the comic sequences. Sathish lends support and makes some of the scenes interesting. Pallak Lalwani’s character is quite predictable; she also doesn’t get the lip sync right in a few scenes. The other characters, save for the one essayed by Radha Ravi, do not leave any impact. A supposedly funny sequence involving Chaams is ridiculous and tests our patience. The antagonist falls flat in the climax because of the clichéd fight with the hero. The movie, on the whole, just falls short of being watchable, despite some of the comedy working out quite well, thanks to the logic loopholes and some silly scenes.

Aadhi is a civil engineer who lives a happy life with his cute family comprises of his parents. Aadhi’s biggest worry is his nyctalopia, as he can’t see anything after 6 pm so his marriage also becomes a big question mark! A site engineer, who suffers from night blindness, gets into trouble when he is mistaken for the leader of a protest group by a goon. His life becomes even more complicated after he falls in love. Aadhi (Vaibhav), who hails from a middle-class family, suffers from nyctalopia, and hence, ensures he reaches back home before 6pm. His life, which includes father, mother and a friend, is all about the remaining 12 hours. One day, Aadhi realises that he can’t return home before the cut-off time and asks his friend to pick him up at a place where a protest, which he is not aware of, is taking place. A politician with a criminal record (RNR Manohar), against whom the protest happens, misconstrues Aadhi to be its leader, and goes after his life. After knowing the issue, an enraged Aadhi goes to pick up a fight with Krithika (Pallak Lalwani), the news reader who covered his ‘participation’ in the protest. His life gets entangled in more problems when he falls for the girl.

Middle Class Melodies Telugu Full Movie

Middle Class Melodies Telugu Full Movie (2020) HDRip Watch Online Free

Middle Class Melodies Telugu Full Movie (2020) HDRip Watch Online Free

Directed by: Vinod Anantoju
Written by: Vinod Anantoju, Janardhan Pasumarthi
Starring by: Anand Deverakonda, Varsha Bollamma, Divya Drishti
Genres: Comedy, Drama, Romance
Country: India
Language: Telugu

Storyline:
Raghava who runs a breakfast center in his village, dreams of starting a small hotel in nearby city, Guntur. Accompanied by his friend Gopal, Raghava plans to buy an old shop in city against the interest of his father, which co-incidentally belongs to Nageswara Rao, father of his love interest, Sandhya. How Raghava’s love life and his dream to establish his own hotel clash, forms the crux of the story. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true? Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.

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Vinod Anantoju’s Middle Class Melodies has nothing to do with music; the melodies here refer to the familiar beats in a middle-class Indian life. Be it the cuss words a father spews not out of hate, but love or the way women try to balance the and assert their rights when the time comes – no beat in this beautiful tale seems unfamiliar.
Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.
Right from the first frame Vinod makes it clear that there will be no rousing music or heroism shown in this tale. It’s hard not to gag with laughter at the ridiculous sight of an old woman being pulled up on a chair with ropes tied to them or at Raghava’s friend Gopal (Chaitanya Garikipati) who is so obsessed with horoscopes, he’s even willing to let go of Gautami (Divya Sripada), a girl he loves because she was born at a particular time. But at a point in the tale, the familiarity gets too much, making you wonder why some of the tracks, like that of Gopal’s uncle and a chit fund, are explored in detail.
Middle Class Melodies is not without its flaws, it also seems to miss a secret ingredient that would make it great, but it refreshingly offers a peek into everyday lives of characters that are relatable. Because this film is not just about Raghava and his dream, even if that holds the story together. The best part about the film is that, it never overdoes on the emotions, keeping the humour and anger both natural. The bitter-sweet beats of this tale are supported by able performances not just by Anand (whose voice and diction is sometimes reminiscent of his brother Vijay Deverakonda) and Varsha (who’s cute as a peach), but every single one of the cast members (including a hilarious cameo by Tharun Bhascker) and Goparaju Ramana make their mark. Janardhan Pasumarthi’s dialogues apart from Sweekar Agasthi and RH Vikram’s soulful music and Sunny Kurapati’s cinematography also pour soul into the film.
Middle Class Melodies and the tale it tells of an underdog is one as old as time. But it’s also as comforting as some delicious Bombay chutney made with love, which makes it worth watching. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true?

Anwar Ka Ajab Kissa Hindi Full Movie

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Directed by: Buddhadeb Dasgupta
Starring by: Nawazuddin Siddiqui, Pankaj Tripathi, Niharika Singh
Genres: Adventure, Comedy, Drama
Country: India
Language: Hindi

Storyline:
Anwar a maverick detective works in a small detective agency Inner Eye in Kolkata. He has the habit to getting involved in the personal lives of his cases, which gets him into troublesome and comic situations.

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Review:
When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

Ghatikudu Telugu Full Movie

Ghatikudu Telugu Full Movie (2009) BRRip Watch Online Free

Ghatikudu Telugu Full Movie (2009) BRRip Watch Online Free

Directed by: K.S. Ravikumar
Written by: K.S. Ravikumar
Starring by: Suriya, Nayanthara, Vadivelu
Genres: Action, Comedy
Country: India
Language: Telugu

Storyline:
Aadhavan is a professional assassin working with his father Ibrahim Rowther and brother Tharani. Doctor Abdul Kulkarni hires Aadhavan to kill prominent Judge Subramaniam, since he is handling the inquiry and verdict on Abdul’s child kidnapping, murder and organ trafficking cases in Kolkata.

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Ghatikudu (Aadhavan) (2009) Telugu Full Movie Watch Online Free *Rip File*

Review:
Suriya’s acting skills no introduction! His roles in films like Ghajini, Khaka Khaka, Surya s/o Krishnan are proof enough of his charm and elegance. After a breezy entertainer like “Veedokkade”, he’s back in “Ghatikudu” along with Nayanatara. Directed by K.S.Ravikumar, ‘Ghatikudu’ narrates the story of a contract killer who’s hired to kill a VIP.

What is it about : Suriya stars as Ashok, a sharp shooter in Kolkata who never leaves any evidence in all the murders he commits. One day, he accepts a contract from Abdul (Mukul Dev) to kill a judge played by Bharath Murali, but misses his target on the destined day. Ashok, who never misses his target, promises Abdul that he will kill the judge within 10 days. He traps, Vadivelu, a servant in the judge’s house and succeeds in entering the house as Vadivelu’s relative. He meets Tara (Nayanathara) in the same house and they are slowly drawn to each other. In the meantime, Ashok impresses everyone in the house at the same time plotting to kill the judge. However, his plans go awry most of the time but he never gives up. Does he really succeed in killing the judge? How does his growing relationship, with the family affect his plans? That forms the rest of the story.

What is Good: Suriya puts his heart and soul throughout the film. Be it in his role as a contract killer or as the servant in the judge’s house, his body language is brilliant. The much publicized sequence of him acting as a 10 year old boy has a great shock value, however it doesn’t look natural. The film also owes a lot to the comedian, Vadivelu whose comic timing is almost perfect. The entire first half of the film solely concentrates on the funny situations between the two and the duo doesn’t disappoint at all. Although, she doesn’t have a critical role, Nayanathara is good enough. Bharath Murali delivers a credible performance as the judge. The entire sequence between Suriya and the judge’s family members is a pleasure to watch in the first half.

What is bad: After starting on an interesting note in the first half, the film slowly loses its steam and pace in the second half. The director shows Suriya as a 10 year old boy, but the sheer predictability of the story ruins the script. Villian’s role is not strong enough. The climax of the film is absolutely ridiculous, the kind which you would only expect in “Superman” movies! The entire second half is about tying the loose ends of the film and the director narrates everything in a hurry.

Technical Departments: Story by Ramesh Khanna has all the ingredients for a commercial potboiler. Art by Rajeevan is good and the Costumes department deserves a special mention especially for the songs. Editing by Donmax is slick and crisp. Cinematography by Ganesh is wonderful especially in the beginning of the film and in the songs shot in Iceland and South Africa. Harris Jayraj has composed six soundtracks for the film and each of them has a style of its own. Director, K.S.Ravikumar who in the past has made films like Dashavatharam, starts on a good note in “Ghatikudu”. But the sloppy second half and a ridiculous climax takes the fun out of the film.

Bottomline: The film has almost all the ingredients for a commercial potboiler. Despite all that, K.S.Ravikumar sticks to his usual formula and delivers a predictable film. Most of the film has been shot in Kolkata, it would have been much better if more locations across Kolkata were used for the movie. Suriya’s action, Vadivelu’s comedy and Nayanathara’s glamour are the plus points for the film. However, a sluggish pace in second half and a bad climax takes the fun out of the film. Watch it only for Suriya, he dazzles in almost everything, acting, dancing and fights! It’s a rather silly, pointless film with ample thrills and comedy to keep you hooked onto the screen.

Kandireega Telugu Full Movie

Kandireega Telugu Full Movie (2011) HDRip Watch Online Free

Kandireega Telugu Full Movie (2011) HDRip Watch Online Free

Directed by: Santosh Srinivas
Written by: Santosh Srinivas, Anil Ravipudi
Starring by: Ram Pothineni, Hansika Motwani, Aksha Pardasany
Genres: Action, Comedy, Romance
Country: India
Language: Telugu

Storyline:
Seenu is a street-smart guy who shifts to Hyderabad from Anakapally to complete his degree in a college. He falls in love with Sruthi who also attends the same college. Sruti is harassed by a goon Bhavani who forces her to love him. Seenu convinces Sruti to love him. Just about when Seenu makes Sruti fall in love with him and teaches a lesson to Bhavani, there seem to be trouble brewing for him from unexpected quarters. The rest of the story is all about comedy of errors.

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Review:
Actor Ram is back with “Kandireega” after almost a year’s break. Though the subject of this entertainer is nothing new, debutant director Santosh Srinivas handles it interestingly and comes up with a winner.
Seenu (Ram) who lives in Anakapally with his parents is always falling in trouble. He wants to marry his uncle’s daughter (Swathi), but she rejects him because he is not a graduate. He then decides to head to the city to study. Seenu meets Shruti (Hansika) in college and falls in love with her. But a local goon Bhavani (Sonu Sood) is eyeing Shruti too. The two men compete in a challenge and Seenu who emerges victorious, wins her love. At the same time, enters another villain – Rajanna (Jayaprakash Reddy) from Warangal, who kidnaps Shruti. The reason? Rajanna’s daughter Sandhya (Aksha) fell in love with Seenu at first sight and asks her father to get her married to him. Seenu heads to Warangal to rescue Shruti.
Though the story isn’t too original, Santosh Srinivas brings the film to life with some fresh dialogues and good screenplay. The ‘punch’ dialogues will appeal to the masses.
Ram carries the whole film on his shoulders and is a bundle of talent and energy. His lively act and fun dialogue delivery livens up the screen. He dances well too. Hansika, who has grown rather chubby lately, is passable in her role. Aksha does her part well. Sonu Sood’s performance is his best Telugu one till date. Though he played villain in many films, the comic element in his character in “Kandireega” is noteworthy. Camera work by Andrew makes the film look good.
“Kandireega” is an out-and-out entertainer that doesn’t leave you bored for even a second. Ram makes it a total paisa vasool flick.

Naanga Romba Busy (2020) HDTVRip Full Movie Watch Online Free

Naanga Romba Busy Full Movie (2020) HDTVRip Watch Online Free

Directed by: Badri
Starring by: Yogi Babu, Shruti Marathe, Rittika Sen
Genres: Comedy
Country: India
Language: Tamil

Storyline:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.

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Review:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. Set against the demonetisation period of 2016, the theme of the film lends itself well to the genre. The film, however, does not quite hit the mark.
The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.
A few instances of comic relief (thanks to witty one-liners from Yogi Babu and Mottai Rajendran) apart, the film does little justice to such a plump concept. Prasanna doles out a noteworthy performance and makes Kumaravel the film’s voice of reason. Shaam, too, plays ACP Ravichandran, the film’s complicated villain who butts head with Kumaravel. But the film lacks punch and often finds itself in preachy territories, giving us dated, emotional sermons about pre-marital romances and pregnancies, for instance. If the narrative had stuck to the pure comedic nature of the concept itself, Naanga Romba Busy would have been a wholesome ride.

Unarvu Tamil Movie

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Unarvu Tamil Full Movie (2019) HDRip Watch Online Free

Directed by: Subbu
Starring by: Kottachi, Ankitha Navya, Arul D. Shankar
Genres: Comedy, Drama, Thriller
Country: India
Language: Tamil

Storyline:
Intelligent Politicians Invest on Humans, The Result of the Investment is infinity, There are invisible weapons which cannot be notice those weapons are really mass killers , How can you can fix Politicians.

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Review:
Unarvu belongs to the list of those low-budget forgettable films made with good intention, but ended up as an exhausting work due to ineffective execution. One of the pivotal characters in the movie dreams of creating a beggar-free country and strives for the same in different ways. How he faces challenges from various quarters forms the plot. The film is high on melodrama and tiring preachy dialogues which tests one’s patience. The sloppy making and inconsistent performance of some of the artistes make things worse. The director wanted to make a film on how people can be easily manipulated by tickling their emotions, but didn’t succeed in putting it across to the audience.

Suraj Pe Mangal Bhari Full Movie

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Suraj Pe Mangal Bhari Full Movie (2020) DVDScr Watch Online Free

Directed by: Abhishek Sharma
Written by: Shokhi Banerjee, Rohan Shankar
Starring by: Fatima Sana Shaikh, Manoj Bajpayee, Abhishek Banerjee
Genres: Comedy
Country: India
Language: Hindi

Storyline:
In the 1990s a wedding detective has to perform background checks on prospective grooms. In the time before social media and mobile phones, everything has to be done in person. Call it pigeon-holed approach, but Madhu Mangal Rane (Manoj Bajpayee) has vowed to get lafangaas out of all the future brides’ ways in Mumbai (then Bombay) and his count is soaring; 48 grooms exposed so far. But the 49th one turns out to be a bouncer in his life. ‘Duduwala’ (the writers’ words, not ours) Suraj Singh Dhillon (Diljit Dosanjh) is 28 and that one time he tries to model his life on the bad boys of Bollywood, Rane catches him off-guard and desperate Dhillon is now without a bride… yet again! ‘Suraj Pe Mangal Bhaari’ chronicles the clash of these two men-children, and it is mad fun!

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Review:
When Gurunam Singh Dhillon (Manoj Phawa) had taken the leap of faith and shifted base to Bombay from Punjab – with the hopes of making it big in the city – he not only married the love of his life (Seema Bhargava), but also inherited 22 buffaloes. Cut to 1995, Papa Dhillon now has everything he had ever hoped for and has built Jai Matarani Doondh Bhandar with love, dahi and lots of paneer (brace yourselves: there’s a lot of dairy reference in the movie for all you lactose-intolerant peeps). But one characteristic trait that he could not hand down to his only son, Suraj Singh Dhillon (Diljit Dosanjh), is his innate ability to win over girls. So when the greedy pundit brings home the kundali of an English-speaking, shorts-donning girl from Bhandup, the entire Dhillon clan jumps with excitement. Not so soon; a little someone stinks of ghee and must be warded off for good. Multiple rejections later, Suraj’s bestie Sukhi, who only mimics Amitabh Bachchan from his angry young man phase, suggests he be the baddie that girls usually hanker after. So when a prospect finally gives her nod, he loses that last flickering hope to a set of photos of him chugging beer.
Who has defamed him and the family? And, most importantly, which ‘bharatiya naari’ is going to marry him now? Suraj refuses to dusk away and he must now be avenged. The culprit: self-proclaimed wedding detective with an impressive repertoire of 48 exposés, Madhu Mangal Rane, is oblivious to his dubious plans though. What happens when these two metaphor-tossing ego maniacs clash, and who’s to lose what here? ‘Suraj Pe Mangal Bhaari’ takes a dig at the concept of arranged marriages and all the snooping around that happens within the families for that ‘one achha ladka/ladki’, and, guess what, we are laughing!
Dressed in a nauvari saree, nath and exuding a certain charm that can easily be mistaken for a local hottie, Manoj Bajpayee is hilarious as the lame undercover wedding detective, gossip-monging at a local temple in his opening scene. The jokes are hyper-local, and the attitude, all too relatable. A little later, an equally funny and seasoned humourist joins the frame, Annu Kapoor as Kaka – a family friend and a business liability whose only contribution is that he had once helped Rane’s deceased father with 1200 rupees. The two feed off each other’s energies and their comic timing is impeccable, especially when they bicker over bills and biryanis. Fatima Sana Shaikh is Turshi Rane (Turshi, not Tulsi): a ‘gharelu ladki’ by the day and a closeted DJ by the night; she is attractive and a satisfying chameleon – demure when the situation demands, rebellious when the going gets difficult. What takes this movie notches higher is Diljit’s excellent dialogue delivery and his comic timing. Something as cheesy as, “kya kar rahin hai, butter hands?” or “first sight mein, torch light pe, mujhe tumse pyaar hogaya” would have been a tricky one for a lot of actors, but he charms in the flashiest of scenes and makes one chuckle, knowing full well the joke is stale. His camaraderie with Sukhi and the squabble with Bajpayee are what keep the momentum of the film racing at a thundering speed; the first half in particular. But ‘Suraj Pe Mangal Bhaari’ is brainless comedy (not being condescending here), and not everything is meant to add up.
Right from the very start, it is glaringly obvious that the writers – Shokhi Banerjee, Rohan Shankar and Rohan Shankar – are heavily invested in getting the nitty-gritties of the respective acts right and each of the characters has been given distinct personalities and pull-backs. What milk is to Suraj, marriage is to Rane. You will find out why we say so. The celebration of cultures and their blending in together is one that deserves a shout-out, especially in that scene when a group of turban-wearing orchestra performers sing a Marathi wedding song.
The first-half is a visual essay of the lives of Dhillons and Ranes, with so many characters and situations popping in and out of the sequences, but the second-half, especially the ending, feels rushed with a predictable climax. That needed polishing.
Kingshuk Chakravarty and Javed-Mohsin have compiled an amazing collection of songs – if ‘Basanti’ will be remembered for Karishma Tanna, then ‘Ladki Dramebaaz Hai’ and ‘Bad Boys’ will be played on loop for the high-octane music. The set design, however, was a bit of a downer. Except for the incorporation of the Frankfurt Bauhaus telephone, long queues outside of a P.C.O booth and a pager to sort of remind us that it’s still the mid-90s, the film has a very in-the-moment feel to it. Also, Jia Bhagia and Mallika Chauhan could have gone more retro with the styling for Diljit and Fatima; it is preposterous that the duo’s hanging out in bomber jackets and corset crop tops from a time when Mumbai used to be Bombay.
All said and done, ‘Suraj Pe Mangal Bhaari’ is a witty satire – on the gori-kaali hangover, what qualifies as good or bad behaviour in today’s world and how little soothsayers know about marriages. Hop on and join in in the tug of war!

Mookuthi Amman Tamil Full Movie

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Mookuthi Amman Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: RJ Balaji
Starring by: Nayanthara, Yogi Babu, RJ Balaji
Genres: Comedy, Drama, Fantasy
Country: India
Language: Tamil

Storyline:
Tessa has everything to lose. Hardin has nothing to lose except her. Mookuthi Amman life will never be the same. After a tumultuous beginning to their relationship, Tessa and Hardin were on the path to making things work.Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.

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Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.
The prime positive aspect of the film is its casting – Balaji shines as the middle-class youngster who has been mired in various woes. His chemistry with other artists works big time and his comic timing and a few one-liners bring the house down. Nayanthara plays the titular role effortlessly. Her terrific screen presence is the USP of the film, and the scenes which feature her stand out. Fans would badly miss watching it on the big screen. As far as performance is concerned, Urvashi steals the show. From the first scene in which she engages in a conversation with the family of a girl with whom Balaji had a marriage proposal to the climax scene in which she talks to her husband, she enthralls the viewers throughout the movie. Ajay Ghosh was okayish as the fake Baba while Moulee and others were apt in their roles.
The first half of the film is a laugh riot with thoroughly engaging scenes and performances from all artists, but the second half fell flat at a few instances. The climax which had confrontation between saami and saamiyar lacked punch and the dialogues were quite predictable. The title card gave credit to a few films for inspiration, but unfortunately some of the scenes in the second half involving the fake godman reminded of popular sequences from those movies. Having said that the film delivers the message it intends to, in an effective way, by taking potshots at superficial belief systems, political parties which resorts to divisive politics, and so on.