Drama

Aravinda Sametha Hindi Full Movie

Aravinda Sametha Hindi Full Movie (2020) HDRip Watch Online Free

Aravinda Sametha Hindi Full Movie (2020) HDRip Watch Online Free

Directed and written by: Trivikram Srinivas
Starring by: N.T. Rama Rao Jr., Pooja Hegde, Jagapathi Babu
Genres: Action, Drama
Country: India
Language: Hindi

Storyline:
The film is about two villages headed by Narapa Reddy and Basi Reddy who are always at loggerheads with each other. For them, words do not matter as they communicate with swords and bloodshed.

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Review:
It’s a war-torn village Kommaddi, where heads fly faster than the words that its residents mouth. Two warring groups lead by Narapareddy and Basireddy too prefer to speak through their swords than words. Even a game of cards in this backdrop is addressed as ‘five rupee worth faction’. In comes the son of the soil, Veeraraghava Reddy, the only sign of hope to instill some sense amidst this menace. Featuring an actor like Jr NTR known for his action potboilers, Trivikram utilises his presence and a commercial backdrop to drive home an important signal of peace, like the pigeon that accompanies the title card in the opening frame.
Though the plot outline makes this seem like a Mirchi equivalent for Jr NTR – the cocktail of intensity, entertainment, efficient dialogue-baazi, all in measured amounts, keeps the film ticking along neatly. Trivikram masters the judicious balance of pandering to the masses and being a sane voice in the time of need. Aravinda Sametha Veeraraghava is definitely a film that marks a firm departure from the comfort zone of the director and the lead actor. It’s a story that single-mindedly focuses on transformation, and one whose intentions remain consistent. The strong performances do a lot of good in ensuring an impactful film, that precisely paves the way for ‘Rayalaseema’ to turn into a ‘Ratanalaseema’.
Melodrama often clouds the character arcs of women in factionism-driven films, that’s where Aravinda Sametha differs from the pack. The Penimiti song is one example of the emotional turmoil that a woman suffers as her man sets out for a blood bath. And Aravinda, played by Pooja Hegde isn’t Trivikram’s quintessential heroine. Here she is studying anthropology and ethno-driven violence, being the critical link in showing the way forward to a character like Veeraraghava Reddy stuck between revenge and larger purpose. Supriya Pathak, Devayani, Eeswari Rao may have minimal screen time, but there’s enough meat in their characterisation.
This transformational journey gives us a delightful interval action block where Jr NTR offers the goons a taste of death and yet doesn’t tear them apart. While there’s enough action and drama happening in the proceedings to keep you occupied in the first hour, things aren’t quite seamless post the intermission. The one worry throughout Aravinda Sametha remains its predictability. But for a twist or two, you know the trajectory of its lead character. It’s the humour quotient that keeps the film alive then. Naresh and Srinivas Reddy continue from where they left their delightful banter in A..Aa. Sunil delivers lesser laughs than promised, but that doesn’t take away anything from his much needed return to his forte.
All it takes to make a solid commercial film is to redefine it in relevance to the times. It’s not often you’d find a lead character asking people, ‘what’s so heroic about holding a dagger or slapping your thigh’. It’s refreshing to watch NTR remain his controlled self in the film’s entirety. Pooja Hegde gets a credible role as a budding documentary filmmaker, though it’s hard to fathom an actor like Eesha being saddled into a role of nothingness. Trivikram’s fascination for mythology lends well with the theme and the treatment scores over his indulgence this time. And Thaman’s evolution as a composer truly benefits the film. A emotional drama camouflaged in a commercial exterior, here’s a film that’s courageous to stand apart from slapstick madness.

Shadow Tamil Full Movie

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Shadow Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: Meher Ramesh
Written by: Kona Venkat, Gopimohan
Starring by: Venkatesh Daggubati, Srikanth, Taapsee Pannu
Genres: Action, Crime, Drama
Country: India
Language: Tamil

Storyline:
Rajaram is the son of Raghuram an investigative journalist in a United Nations agency. He infiltrates the criminal organization of Nana Bhai and earns his trust. He gathers proof against the activities of Nana and hands them over to newspaper publisher Chaitanya Prasad alias CP. There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.

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Review:
There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.
The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.
The most entertaining part of the movie is the comedy track involving MS Narayana who plays Psycho Srinivas, a “post mortem specialist”. Venkatesh, tries hard to breathe life into a character that seems like a throwback to his Satruvu days. At over 50, perhaps he’s gotten a little old to get away with this kind of juvenile stuff now.
Taapsee’s performance is the most eye-popping of them all, quite literally at that. Let’s just say we get to see a lot (more than usual) of her in the movie and it wouldn’t be an exaggeration to say, the curly haired actress gave the hooters and whistlers plenty to cheer about. There support cast of Srikanth, Nasser, Suman, Kavitha and Madhurima do what is required of them. Aditya Pancholi and gang have little to do in terms of acting. They just seem to come and go.
Taapsee Pannu’s slender curvature dominates the songs, which seem like show-reels of het glam quotient, while tunes hardly register. The narrative lacks consistency and the cinematography and editing seem to have a heavy “Billa” hangover.
Note: It’s basically a big dumb revenge drama made with the usual accompaniments, watch it if you are in the mood for some lame fun.

Middle Class Melodies Telugu Full Movie

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Middle Class Melodies Telugu Full Movie (2020) HDRip Watch Online Free

Directed by: Vinod Anantoju
Written by: Vinod Anantoju, Janardhan Pasumarthi
Starring by: Anand Deverakonda, Varsha Bollamma, Divya Drishti
Genres: Comedy, Drama, Romance
Country: India
Language: Telugu

Storyline:
Raghava who runs a breakfast center in his village, dreams of starting a small hotel in nearby city, Guntur. Accompanied by his friend Gopal, Raghava plans to buy an old shop in city against the interest of his father, which co-incidentally belongs to Nageswara Rao, father of his love interest, Sandhya. How Raghava’s love life and his dream to establish his own hotel clash, forms the crux of the story. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true? Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.

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Vinod Anantoju’s Middle Class Melodies has nothing to do with music; the melodies here refer to the familiar beats in a middle-class Indian life. Be it the cuss words a father spews not out of hate, but love or the way women try to balance the and assert their rights when the time comes – no beat in this beautiful tale seems unfamiliar.
Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.
Right from the first frame Vinod makes it clear that there will be no rousing music or heroism shown in this tale. It’s hard not to gag with laughter at the ridiculous sight of an old woman being pulled up on a chair with ropes tied to them or at Raghava’s friend Gopal (Chaitanya Garikipati) who is so obsessed with horoscopes, he’s even willing to let go of Gautami (Divya Sripada), a girl he loves because she was born at a particular time. But at a point in the tale, the familiarity gets too much, making you wonder why some of the tracks, like that of Gopal’s uncle and a chit fund, are explored in detail.
Middle Class Melodies is not without its flaws, it also seems to miss a secret ingredient that would make it great, but it refreshingly offers a peek into everyday lives of characters that are relatable. Because this film is not just about Raghava and his dream, even if that holds the story together. The best part about the film is that, it never overdoes on the emotions, keeping the humour and anger both natural. The bitter-sweet beats of this tale are supported by able performances not just by Anand (whose voice and diction is sometimes reminiscent of his brother Vijay Deverakonda) and Varsha (who’s cute as a peach), but every single one of the cast members (including a hilarious cameo by Tharun Bhascker) and Goparaju Ramana make their mark. Janardhan Pasumarthi’s dialogues apart from Sweekar Agasthi and RH Vikram’s soulful music and Sunny Kurapati’s cinematography also pour soul into the film.
Middle Class Melodies and the tale it tells of an underdog is one as old as time. But it’s also as comforting as some delicious Bombay chutney made with love, which makes it worth watching. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true?

Anwar Ka Ajab Kissa Hindi Full Movie

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Directed by: Buddhadeb Dasgupta
Starring by: Nawazuddin Siddiqui, Pankaj Tripathi, Niharika Singh
Genres: Adventure, Comedy, Drama
Country: India
Language: Hindi

Storyline:
Anwar a maverick detective works in a small detective agency Inner Eye in Kolkata. He has the habit to getting involved in the personal lives of his cases, which gets him into troublesome and comic situations.

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Review:
When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

Immortals Telugu Dubbed Movie

Immortals Telugu Dubbed Movie (2011) BRRip Watch Online Free

Immortals Telugu Dubbed Movie (2011) BRRip Watch Online Free

Directed by: Tarsem Singh
Written by: Charley Parlapanides, Vlas Parlapanides
Starring by: Henry Cavill, Mickey Rourke, John Hurt
Genres: Action, Drama, Fantasy, Romance
Country: USA
Language: Telugu

Storyline:
In Greece, the cruel and evil King Hyperion is searching with his ruthless army for the Epirus Bow, a powerful weapon made by the Gods, to unleash the imprisoned Titans and destroy the Gods. When King Hyperion comes to the village of the peasant Theseus, he kills his mother and brings Theseus as a slave to work in his mines. However, Phaedra helps to release him with the support of the prisoner Stavros. Meanwhile, Zeus advises the other Gods that they should not interfere with the human free will and the last hope of mankind.Centuries after the Gods won the mythic war against the Titans and sent them to the mountains to lead a life of imprisonment, a new evil threatens humanity.
This time, it is the evil king Hyperion (Mickey Rourke) who unleashes his beastly army across Greece and dreams of world domination by laying his hands on the mysterious and all-powerful Epirius Bow. Hyperion might have unleashed his evil if the gods (Zeus) had not chosen a brave peasant, Theseus (Henry Cavill) to lead the war on behalf of the humans.

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Review:
Big Indian interest? Frieda Pinto. As the virgin oracle who gets maximum screen time amongst the female cast, this should have been reason enough for Indians to claim the film as their own. More importantly, the fact that she chooses to give up her celestial status for more earthly pleasures and falls in love with the brawny peasant leader,
Theseus, should have added adequate spice to the proceedings. But the problem with Immortals is its garbled screenplay, its lacklustre, almost lifeless action cuts, making the film end up as a pale shadow of the mesmerising 300. Heavily imbued with mythology, the film fails to connect. And the fact that Frieda pitches in a frozen act makes you feel miserable. The only actor who breathes life on screen is the wicked, crooked Mickey Rourke.
Eons after the Gods won their mythic struggle against the Titans, a new evil threatens the land. Mad with power, King Hyperion (Mickey Rourke) has declared war against humanity. Amassing a bloodthirsty army of soldiers disfigured by his own hand, Hyperion has scorched Greece in search of the legendary Epirus Bow, a weapon of unimaginable power forged in the heavens by Ares (Daniel Sharman). Only he who possesses this bow can unleash the Titans, who have been imprisoned deep within the walls of Mount Tartaros since the dawn of time and thirst for revenge. In the King’s hands, the bow would rain destruction upon mankind and annihilate the Gods. But ancient law dictates the Gods must not intervene in man’s conflict. They remain powerless to stop Hyperion, until a peasant named Theseus (Henry Cavill) comes forth as their only hope. Secretly chosen by Zeus (Luke Evans), Theseus must save his people from Hyperion and his hordes. Rallying a band of fellow outsiders, including visionary Priestess Phaedra (Freida Pinto) and cunning slave Stavros (Stephen Dorff), one hero will lead the uprising, or watch his homeland fall into ruin and his Gods vanish into legend.

In Greece, the cruel and evil King Hyperion (Mickey Rourke) is searching with his ruthless army for the Epirus Bow, a powerful weapon made by the Gods, to unleash the imprisoned Titans and destroy the Gods. When King Hyperion comes to the village of the peasant Theseus, he kills his mother and brings Theseus (Henry Cavill) as a slave to work in his mines. However, Phaedra (Freida Pinto) helps to release him with the support of the prisoner Stavros (Stephen Dorff). Meanwhile, Zeus (Luke Evans) advises the other Gods that they should not interfere with the human free will and the last hope of mankind.

—Claudio Carvalho, Rio de Janeiro, Brazil
Eons ago, the gods defeated the Titans. Now a new threat has emerged. The evil King Hyperion (Mickey Rourke), is on the warpath searching for a powerful weapon called the Epirus Bow. With this, he can destroy the gods and become the ruler of the world. As villages are destroyed and innocent people massacred, the fate of humanity rests in the hands of the warrior Theseus (Henry Cahill) and the oracle Phaedra (Freida Pinto).

—tompeterdaly-63240

Spoilers
The synopsis below may give away important plot points.
Synopsis
When the world was young, the gods did battle in the sky. The victors ruled on Mt. Olympus and imprisoned the vanquished — the Titans — beneath Mt. Tartarus on Earth. Also lost during the battle is the Bow of Epirus, a mighty weapon that can shoot invincible energy arrows.

Centuries later, King Hyperion (Mickey Rourke) mounts a campaign to recover the Bow of Epirus and free the Titans. Bitter over the deaths of his wife and children due to disease, he is resolved to destroy the gods who refused his prayers to spare his family. He overtakes the Sybelline Monastery, imprisoning the virgin oracle Phaedra (Freida Pinto) and her attendants, then lays waste to villages in the area. In one village works the stone mason Theseus (Henry Cavil). Theseus has been trained in the military arts by a mysterious Old Man (John Hurt) who encourages him to be a protector of all humanity; Theseus, whose devout mother was raped and thus considered an outcast, refuses. When the goddess Athena (Isabel Lucas) visits the Old Man, he is revealed to be Zeus (Luke Evans) in human disguise.

When Hyperion’s forces destroy Theseus’s village, he kills Theseus’s mother in front of him and imprisons Theseus, where Phaedra and her attendants are also kept. Phaedra inadvertently touches Theseus and has a vision of him as either the savior of humanity or the ally of Hyperion in the destruction of the world. That night, she and her attendants seduce and kill the guards; Phaedra escapes with Theseus and two other slaves, Stavros (Steven Dorff) and Daerios (Alan Van Spring).

Although Zeus has forbidden the gods to intervene unless the Titans are freed, Athena, Poseidon (Kellan Lutz) and Ares (Daniel Sharman) determine to protect Theseus as best they can. Phaedra tells Theseus he must return to his village and properly bury his mother. There, Theseus discovers the Bow of Epirus. Hyperion has sent the Minotaur (Robert Maillet) and soldiers to intercept them. The soldiers kill Daerios but, after a brutal battle with the Minotaur, Theseus uses the Bow to free the others. That night, Phaedra makes love to Theseus to free herself from her premonitory powers.

The humans make their way to the Sybelline Monastery, where Hyperion has laid another trap. A jackal steals the Bow of Epirus and takes it to Hyperion, but the timely arrival of Athena and Ares saves Thesus, Phaedra and Stavros. This enrages Zeus who kills Ares in punishment but allows Athena to provide horses to Theseus so he can join a last stand against Hyperion’s forces.

As Theseus leads the fight against Hyperions’ army, Hyperion uses the Bow to free the Titans from their prison. This prompts Zeus to intervene, and he, Athena, Poseidon, Heracles and Apollo fight a ferocious battle against the Titans. Theseus confronts Hyperion and, though mortally wounded, finally kills him. The Titans kill all of the gods except Zeus who destroys Mt. Tartarus to contain them again. Zeus takes Athena and Theseus to Olympus with him.

Several years later, Phaedra lives in Theseus’s village with her son, the result of her coupling with Theseus. The Old Man approaches the boy and tells him to prepare for a coming war in heaven. The boy closes his eyes and has a vision of Theseus leading the gods in battle against the resurgent Titans.

— The following is not a plot synopsis, as Tarsem Singh, regardless of his “vision,” is not part of the plot of the film.

Visionary director Tarsem Singh (The Cell, The Fall) transports us in this epic tale of treachery, vengeance and destiny in Immortals, a stylish and visually spectacular 3D action adventure. As a power-hungry king razes ancient Greece in search of a legendary weapon, a heroic young villager rises up against him in a thrilling quest as timeless as it is powerful.

The brutal and bloodthirsty King Hyperion (Mickey Rourke) and his murderous Heraklion army rampage across Greece in search of the long lost Bow of Epirus. With the invincible Bow, the king will be able to overthrow the Gods of Olympus and become the undisputed master of his world. With ruthless efficiency, Hyperion and his legions destroy everything in their wake, and it seems nothing will stop the evil king’s mission.

As village after village is obliterated, a stonemason named Theseus (Henry Cavill) vows to avenge his mother, who was killed in one of Hyperion’s brutal raids. When Theseus meets the Sybelline Oracle, Phaedra (Freida Pinto), her disturbing visions of the young man’s future convince her he is the key to stopping the destruction. With her help, Theseus assembles a small band of followers and embraces his destiny in a final, desperate battle for the future of humanity. Immortals is produced by Gianni Nunnari (300), Mark Canton (300) and Ryan Kavanaugh (The Fighter).

Unarvu Tamil Movie

Unarvu (2019) HDRip Tamil Full Movie Watch Online Free

Unarvu Tamil Full Movie (2019) HDRip Watch Online Free

Directed by: Subbu
Starring by: Kottachi, Ankitha Navya, Arul D. Shankar
Genres: Comedy, Drama, Thriller
Country: India
Language: Tamil

Storyline:
Intelligent Politicians Invest on Humans, The Result of the Investment is infinity, There are invisible weapons which cannot be notice those weapons are really mass killers , How can you can fix Politicians.

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Review:
Unarvu belongs to the list of those low-budget forgettable films made with good intention, but ended up as an exhausting work due to ineffective execution. One of the pivotal characters in the movie dreams of creating a beggar-free country and strives for the same in different ways. How he faces challenges from various quarters forms the plot. The film is high on melodrama and tiring preachy dialogues which tests one’s patience. The sloppy making and inconsistent performance of some of the artistes make things worse. The director wanted to make a film on how people can be easily manipulated by tickling their emotions, but didn’t succeed in putting it across to the audience.

Mookuthi Amman Tamil Full Movie

Mookuthi Amman Tamil Full Movie (2020) HDRip Watch Online Free

Mookuthi Amman Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: RJ Balaji
Starring by: Nayanthara, Yogi Babu, RJ Balaji
Genres: Comedy, Drama, Fantasy
Country: India
Language: Tamil

Storyline:
Tessa has everything to lose. Hardin has nothing to lose except her. Mookuthi Amman life will never be the same. After a tumultuous beginning to their relationship, Tessa and Hardin were on the path to making things work.Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.

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Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.
The prime positive aspect of the film is its casting – Balaji shines as the middle-class youngster who has been mired in various woes. His chemistry with other artists works big time and his comic timing and a few one-liners bring the house down. Nayanthara plays the titular role effortlessly. Her terrific screen presence is the USP of the film, and the scenes which feature her stand out. Fans would badly miss watching it on the big screen. As far as performance is concerned, Urvashi steals the show. From the first scene in which she engages in a conversation with the family of a girl with whom Balaji had a marriage proposal to the climax scene in which she talks to her husband, she enthralls the viewers throughout the movie. Ajay Ghosh was okayish as the fake Baba while Moulee and others were apt in their roles.
The first half of the film is a laugh riot with thoroughly engaging scenes and performances from all artists, but the second half fell flat at a few instances. The climax which had confrontation between saami and saamiyar lacked punch and the dialogues were quite predictable. The title card gave credit to a few films for inspiration, but unfortunately some of the scenes in the second half involving the fake godman reminded of popular sequences from those movies. Having said that the film delivers the message it intends to, in an effective way, by taking potshots at superficial belief systems, political parties which resorts to divisive politics, and so on.

Ammoru Thalli Telugu Full Movie

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Ammoru Thalli Telugu Full Movie (2020) HDRip Watch Online Free

Directed by: RJ Balaji
Starring by: Nayanthara, Yogi Babu, RJ Balaji
Genres: Comedy, Drama, Fantasy
Country: India
Language: Telugu

Storyline:
The film is tipped to be a political satire film that speaks about the current issues plaguing our country. The movie has perfect blend of comedy and satire on fake god men and blind faith which are likely to be relevant to current times in many ways. Ramaswamy(RJ Balaji) is a man who has to deal with many family problems after his father leaves his family. He is a small-time reporter who is working on a case related to a scam that is being done by Bhagavathi Baba(Ajay Ghosh). This is the time, his family deity, Ammoru Talli(Nayanthara) appears before Ramaswamy and changes his life. Who is this Ammoru Thalli? What changes did she bring to Ramaswamy’s life? That forms the rest of the story.

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Ammoru Talli is a film that has created a good buzz in the recent past. Starring Nayanthara and RJ Balaji, this film is out on Disney Hotstar. Let’s now see how it is.

Story
Ramaswamy(RJ Balaji) is a man who has to deal with many family problems after his father leaves his family. He is a small-time reporter who is working on a case related to a scam that is being done by Bhagavathi Baba(Ajay Ghosh). This is the time, his family deity, Ammoru Talli(Nayanthara) appears before Ramaswamy and changes his life. Who is this Ammoru Thalli? What changes did she bring to Ramaswamy’s life? That forms the rest of the story.

Plus Points
Nayanthara is the heart and soul of the film. She plays the goddess Ammoru Thalli and perfectly suits the character. Nayan is regal and brings a good effect on the film. Her costumes and makeup have done so well.

A seasoned actress, Urvashi also does well in his role and provides some comedy relief. RJ Balaji is amazing as a young reporter. All his scenes with Nayanthara have been executed well. The manner in which fake Baba’s are ruling the roost in India has been exposed well.

A few satires dealing with the way babas even run political parties were also neatly addressed. Ajay Ghosh is loud but has done well as Bhagavathi Baba. Nayanthara’s comedy timing has also been generated well.

Minus Points

Some scenes in the film are heavily inspired by movies like Oh My God, and PK. The religious thread and how fake babas operate has been showcased in many films already.

The film starts on a good note as RJ establishes the story quite well. The entry of Nayan and how she gets involved in the plot is also neat. But from there are many logics which go for a toss in the second half.

The interview between RJ Balaji and Ajay Ghosh looks a bit over the top. Also, there are some comedy scenes in the second half that do not create any effect and look forced.

Technical Aspects –

The background score of the film is pretty good and the tunes used for the climax is also decent. VFX done for the goddess setup is also good. Production values are superb and the Telugu dubbing is also pretty good. The dialogues and those which are written as satires for fake babas work well.

Coming to the director RJ Balaji, he has done a passable job. He took a story that is quite routine and added comedy to it. But in this, he missed the essence in the second half.

Verdict

On the whole, Ammoru Talli is a satire on how fake godmen operate in the country. The story is quite routine by actor and director RJ Balaji adds decent humor in the film and makes it interesting. The second half goes down a bit but Nayan’s screen presence makes this film a passable watch this Diwali weekend.

Commit Mental Telugu Season 1

Commit Mental Telugu Season 1 Episodes (01-05) (2020) HDRip Watch Online Free

Commit Mental Telugu Season 1 Episodes (01-05) (2020) HDRip Watch Online Free

Directed by: Pavan Sadineni
Starring by: Udbhav Raghunandan, Punarnavi Bhupalam, Venkatesh Kakumanu
Genres: Comedy, Drama, Romance
Country: India
Language: Telugu

Storyline:
A three year long-distance relationship between Phani and Anu takes an unexpected twist when he asks her to marry him. While their journey has many highs, lows and bittersweet experiences, Phani(Udbhav Raghunandan) returns from the US and reaches his girlfriend, Anu’s(Punanrnavi) house, and suddenly proposes marriage to her. A very reluctant Anu says yes but has commitment phobia as she is just settling down in her job and life. Also, Anu hates Phani’s over-possessive behavior. A small wedding scenario of a couple makes things even difficult for Anu and Phani and they decide not to marry. The rest of the story is as to how a couple who are poles apart in their ideologies solve their difference and end up together.The web series is the official remake of the hit web show Permanent Roommates. Director Pawan Sadineni and his team have nicely set it up to the urban Hyderabadi city culture. The production values, camera work, and art direction is pretty good and gives a good feel throughout.

But the show-stealer is Udbhav Raghunandan aka Chicago Subbarao the noted Youtuber. He is perfect in his loud role. It takes a bit of time for one to understand Phani’s character. Once the first episode is done you root for him. Udbhav has done a very impressive job and makes things look quite interesting. His chemistry with Punrnavi is also very good.

Punarnavi gets a meaty role and she does well as Anu. She looks cool and is also good at all the frustrating scenes that she goes through with the hero Phani. The emotional angle in the series is good but it could have been better. The scene where the lead pair go to a wedding and understand the seriousness of commitment has been handled well.

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Commit Mental is one of the latest OTT shows that has impressed many with its trailers. The web series directed by Pawan Sadineni has hit the small screens today on AHA. Let’s see how it is.

Story :

Phani(Udbhav Raghunandan) returns from the US and reaches his girlfriend, Anu’s(Punanrnavi) house, and suddenly proposes marriage to her. A very reluctant Anu says yes but has commitment phobia as she is just settling down in her job and life. Also, Anu hates Phani’s over-possessive behavior. A small wedding scenario of a couple makes things even difficult for Anu and Phani and they decide not to marry. The rest of the story is as to how a couple who are poles apart in their ideologies solve their difference and end up together.

What’s Good :

The web series is the official remake of the hit web show Permanent Roommates. Director Pawan Sadineni and his team have nicely set it up to the urban Hyderabadi city culture. The production values, camera work, and art direction is pretty good and gives a good feel throughout.

But the show-stealer is Udbhav Raghunandan aka Chicago Subbarao the noted Youtuber. He is perfect in his loud role. It takes a bit of time for one to understand Phani’s character. Once the first episode is done you root for him. Udbhav has done a very impressive job and makes things look quite interesting. His chemistry with Punrnavi is also very good.

Punarnavi gets a meaty role and she does well as Anu. She looks cool and is also good at all the frustrating scenes that she goes through with the hero Phani. The emotional angle in the series is good but it could have been better. The scene where the lead pair go to a wedding and understand the seriousness of commitment has been handled well.

What’s Bad :
The series only has five episodes and the emotional angle is good. But if the makers would have added some more drama and added a few more effective scenes showcasing the pain the heroine is going through, things would have been even more effective. The character of Phani could have been established more by the makers. Why is he impulsive and irritates the heroine for marriage, his motto should have been explained clearly?

Technical Aspects :

The BGM of the show is pretty good and nicely elevates the proceedings. The best part of the series is that the proceedings are easy on you. Each episode is just 25 to 30 minutes which makes things quite good. Director Pawan Sadineni does an impressive job with his taking. He does not go below the belt by making things vulgar as the series has topics of sex and live in relationship discussed most of the time. His narration is breezy and makes things look simple and sweet.

Verdict :
On the whole, Commit Mental is an urban rom-com that is quite simple and sweet. Though the story is routine and lead pairs’ characters grow on you slowly, the effortless narration by Pawan Sadineni and light-hearted comedy make this series a breezy watch.

Chhalaang Hindi Full Movie

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Chhalaang Hindi Full Movie (2020) HDRip Watch Online Free

Directed by: Hansal Mehta
Written by: Aseem Arrora, Zeishan Quadri
Starring by: Rajkummar Rao, Nushrat Bharucha, Mohammed Zeeshan Ayyub
Genres: Comedy, Drama
Country: India
Language: Hindi

Storyline:
Montu is a PT teacher in a semi government funded school in a small town in Uttar Pradesh. He loves Neelu and thinks his job as a PT trainer is just that a job. Circumstances, however, put him in such a position when he is about to lose everything that he cares for – his job and his love. That is when he has to do something which he has never done before train his school students for a Kabaddi match.

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Review:
Mahinder Singh aka Montu (Rajkummar Rao) is a slacker. From waking up long after the sun is up to loitering around with his much older bum-chum Masterji (Saurabh Shukla), Montu has little purpose in life. He is super complacent at his job of a PT teacher in his own school, which he landed only because his father (Satish Kaushik) recommended him to the principal (Ila Arun). When he is not wandering around with Masterji, he is playing moral police, doling out instant punishment to space-starved valentine couples. During one such self-assigned patrolling, he hauls up an older couple, thinking they are just fooling around. He even names and shames them by getting their picture published in a local newspaper. But as luck would have it, their daughter Neelima aka Neelu (Nushrratt Bharuccha) ends up at the same school as the new computer teacher. While Montu instantly starts crushing on her, Neelu is obviously quite miffed with him. And thus begins nafrat pyaar ki pehli seedi kinda situation and anyone who has watched even two Bollywood films would know how that will go. But the real twist in the tale comes with the entry of a new PT coach IM Singh (Mohd. Zeeshan Ayyub). Riding a Royal Enflied, Singh is literally the better version of Montu, who could whisk away the poor chap’s naukri and chokri in a flash. That’s when our man Montu realises that he needs to up his game or risk losing it all, including his credibility. He declares an all-out sporting war with Singh that also puts to test his own ability to teach. So from this point onwards, some conflict and sporting action kicks in.
Ironically, the writers of ‘Chhalaang’ (Luv Ranjan, Aseem Arrora and Zeishan Quadri) never seem to take the leap of faith in making it an adrenaline pumping sporting spectacle. Neither does the movie explore the nuances of a sweet love story. It only flirts with the idea of making it a love triangle.
That said, there are parts of the second half that do spice up the proceedings. Like every sports film, ‘Chhalaang’ too, has a prep montage song (by Daler Mahendi) with the underdogs slugging it out in the run up to the D-day. Then, some of the sequences employing practical situations to impart physical training lessons to the students are novel and effectively portrayed. However, since we know precious little about the young players, it’s hard to root for them. Instead of well fleshed out characters, the focus is on showing gender equality and women empowerment. This comes across as forced. Musically, there is no rousing number even when the story calls for one.The best track ‘Khair ni Karda’ comes just before the credits roll.
Rajkummar Rao is good as always playing the unambitious PT teacher, but his act of a small-town boy next door is far too repetitive. Perhaps also because the stories from rural India are such a dominant part of his filmography. Also, his rigidly still hair looks kinda odd, even when he is getting down and dirty on the sports field. Mohd. Zeeshan Ayyub in his athletic avatar and sporting a moustache, fits the bill as the competitive sports teacher. Ditto, for the beautiful Nushrratt Bharuccha, who seems to be performing better with each passing film. As a progressive new-age girl, Bharuccha’s character is the consistent voice of reason.But it’s the character actors, who breathe in most realism into the narrative and also add the much needed comic relief. Among them is a superb Saurabh Shukla complimented by Ila Arun, Satish Kaushik, and an extremely endearing Baljinder Kaur. She plays Montu’s mother with utmost sincerity.
On the whole, director Hansal Mehta gets the setting quite right with a lot of detailing. But with more conviction in execution and writing, this one could’ve hit it out of the park.

Ludo Full Movie

Ludo Full Movie (2020) HDRip Watch Online Free

Ludo Full Movie (2020) HDRip Watch Online Free

Directed by: Anurag Basu
Written by: Anurag Basu, Samrat Chakraborty
Starring by: Abhishek Bachchan, Aditya Roy Kapoor, Sanya Malhotra
Genres: Action, Comedy, Crime, Drama
Country: India
Language: Telugu

Storyline:
A dark comedy anthology which was supposed to be center on unavoidable jeopardize of life and has four different stories set in a quintessential Indian metro.

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Review:
Anurag Basu’s ‘Ludo’ which blends in characters, stories and genres starts off with a grisly murder by Sattu Bhaiya (Pankaj Tripathi). Then, as parallel stories and characters emerge, so do some varying situations.Akash (Aditya Roy Kapoor) and Ahana (Sanya Malhotra) find themselves in a pickle when they discover that a video clip of them having sex has gone viral on the internet. With Ahana’s wedding scheduled in a few days to another man, they try to get to the bottom of this.
On the other hand, an ex-convict, Bittu (Abhishek Bachchan) is released from jail after six years only to realise that his wife and little daughter have moved on.
At the same time, when a doting wife, Pinky(Sana Fatima Shaikh) finds out that her husband has been accused of a murder, she runs to her childhood sweetheart, Alok aka Alu (Rajkummar Rao) to help bail him out.
And elsewhere, a down on luck salesman, Rahul (Rohit Saraf) and a nurse who is repeatedly bullied at work, Sheeja (Pearle Maney) go about their respective days, not knowing that soon their lives will take a dramatic turn.
At the onset, ‘Ludo’ seems to strike with an interesting premise. The catchy opening track, a compelling start and a quirky build up manages to set an intriguing tone. Then, as the multiple characters get introduced with the spotlight on each backstory one by one, slowly fitting into pieces of a puzzle – the pace unfortunately begins to ebb. And that would be one of the biggest drawbacks of the film because as it tries to fit in all the stories and characters, the narrative begins to get overstuffed. So before one can wholly invest in a character, the thread is left to move on to another. And that too at a languid pace, with a narrator (Anurag Basu) making an appearance to stitch it all together and ponder on morality and the tussle between what constitutes sins and virtues. The cinematic treatment, however, has some trademark Basu signatures – the hues of blues and reds, the play of light and shadow setting the visual tone (cinematography – Anurag Basu). There is a dollop of dark comedy, a helping of sweet romance and some varied characters inadvertently thrown in the middle of it all. The background score and soundtrack (Pritam), undoubtedly perk up the proceedings.
The ensemble cast deliver some credible performances – Pankaj Tripathi is reliably good and it’s obvious he enjoyed playing the badass criminal to the hilt. Rajkummar Rao’s Mithun fan avatar is a hoot and he brings an endearing touch to it without getting hammy. Abhishek Bachchan makes an impact as Bittu. Fatima Sana Shaikh as the part docile, part trigger happy Pinky, is a revelation. Sanya Malhotra and Aditya Roy Kapoor hold their own well with some cutesy moments in their romance. Rohit Saraf with minimal dialogues but an interesting track stands out. And Pearle Maney leaves quite an impression.
‘Ludo’ has some moments that sparkle, some that are edgy, quirky and stay with you, but it also has some indulgent ones and some that seem pointless and unconvincing. The screenplay (Anurag Basu) gets scattered and meanders mid-way but if one can ride over those bumps (with a runtime of two and a half hours that may seem like a tad much), the climax ties everything up rather neatly, with some quintessential badass quotient and surprises thrown in. Watch this one for the noteworthy performances and its interesting mix of morally ambiguous characters. Ultimately ‘Ludo’ tries to make a larger point about not judging anyone for the choices they make.

Soorarai Pottru Kannada Full Movie

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Soorarai Pottru Kannada Full Movie (2020) HDRip Watch Online Free

Directed and written by: Sudha Kongara
Starring by: Suriya, Jackie Shroff, Paresh Rawal
Genres: Action, Drama
Country: India
Language: Tamil

Storyline:
Nedumaran Rajangam aka Maara a man from a village who dreams to run a flight carrier, a low-cost one that would break cost and caste barriers. The film presents his struggles as a common man with a big dream and his conflicts with the crocodiles in the aviation industry, like Jaz airlines Paresh Goswami, his financial position, and how he wins the challenges, as well as the trust of people to succeed in his mission, is what the movie is all about.

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Soorarai Pottru Kannada Full Movie Watch Online – abcvideo
Soorarai Pottru (2020) Kannada (Original) Full Movie Watch Online Free *Rip File*

Based on Captain GR Gopinath’s Simply Fly and ‘stories from the aviation industry’, Sudha Kongara’s Soorarai Pottru is an inspiring tale about a common man who dreamt big. The film revolves around Nedumaaran Rajangam (Suriya), the son of a school teacher (Poo Ramu) in a Madurai village, who decides to start a lowcost airline that can be aspirational for even the less privileged. But with his inspiration, Paresh Goswami (Paresh Rawal), a leader in the aviation industry, trying his best to ensure that this dream doesn’t take off, will Maara be able to reach for the sky and not fall down?
Soorarai Pottru is a Suriya show all the way. After 24, he gets his meatiest role in a while, and the actor digs in with his customary tenacity, making us feel Maara’s every delight and despair. Be it the dramatic scene where he begs for money from passengers in an airport to visit his ailing dad or the subtle hints of hesitation that he conveys over asking for a loan from his own wife, Sundari aka Bommi (Aparna Balamurali), the actor shows that why he is considered one of the best of his generation.
The Maara-Bommi relationship is one of the film’s major strengths. They are both individuals who are crazy about their high-flying dreams. Bommi’s dream of running a bakery might seem small compared to Maara’s at first glance, but Sudha Kongara keeps underling the fact that she is also breaking the glass ceiling in her own way. Right from her introduction scene, when an older man tells her that it is only only sons provide for their parents, Bommi keeps questioning the patriarchy around her. When a relative asks her the reason for her saying ‘No’ to Maara, she asks if he had ever posed the same question to the 20 men who had rejected her as a bride! And when her family is concerned that Maara might not be able to look after her, she asks if it is always the man who is supposed to care for his wife.
In fact, it is her success — and her support — that allows Maara to cling on to his wild dream at his lowest moments. Refreshingly, the director doesn’t give her rousing lines to show this, but hard-hitting repartee. In one crucial scene, when a dejected Maara asks Bommi, who is feeding him, if she has poisoned the food, she shoots back that she would have, if he had accepted a buyout offer. And when he hesitantly asks her for a loan, she offers to give him more than the amount that he had asked her for and adds that he doesn’t have as big a heart as his dream and not give in to false pride.
Are these touches present because the screenplay has been written by women (Shalini Ushadevi and Sudha Kongara) and we have a woman at the helm here? Maybe yes, maybe not, but this sensitivity in the portrayal of a female character is definitely admirable. And Aparna Balamurali gives a spunky performance that instantly makes this character endearing.
The writing is pretty solid all round. From the efficient analogy of a Udipi hotel vs five-star that she uses to make the audience understand her protagonist’s dreams to the heartwarming scene of an entire village chipping in with their money to make this dream come true, the director gives us memorable moments and memorable characters. Of course, a couple of characters, like Mohan Babu’s Naidu, Maara’s strict higher officer in the army, and Maara’s friends (Vivekh Prasanna and Krishna Kumar) are strictly functional, but there are standouts as well. Like Poo Ramu’s Rajangam, and a terrific Urvashi, who, for a change, gets a serious role in Tamil, and Karunas, as Bommi’s uncle Alapparai.
Beneath the inspiring rags-to-riches tale, Soorarai Pottru is also a solid commentary on caste. When the less privileged Maara questions his pacifist father about what good his manu (petitions) has done, it also becomes a discussion on Manu (Smriti). Maara’s victory in the end not only ends in Paresh Goswami ending up having to swallow a bitter pill literally, but figuratively as well. Paresh’s reason for his desire to crush Maara’s dreams in the bud — despite he, too, being a man who has risen from a humble background — is reflective of the attitude that many of the less privileged develop once they become entitled.
On the downside, the film’s portrayal of the antagonist borders on caricature. As in Irudhi Suttru, this character is quite one-dimensional, and tonally different from the flesh-and-blood character of Maara and the people around him. It’s as if Jackie Shroff’s character in Bigil has somehow managed to enter into this world taking the form of Paresh Rawal.
Right from the start, the film shows us how the nexus between capitalists and bureaucrats has been instrumental in crushing anyone who dares to dream big, after a point, the hurdles that Maara has to cross begin to feel repetitive, making the film seem a bit overlong. But the closing visuals of the joy on the faces of the common folk who take the flight on Maara’s aircraft ensure a smooth touchdown.