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Shadow Tamil Full Movie

Shadow Tamil Full Movie (2020) HDRip Watch Online Free

Shadow Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: Meher Ramesh
Written by: Kona Venkat, Gopimohan
Starring by: Venkatesh Daggubati, Srikanth, Taapsee Pannu
Genres: Action, Crime, Drama
Country: India
Language: Tamil

Storyline:
Rajaram is the son of Raghuram an investigative journalist in a United Nations agency. He infiltrates the criminal organization of Nana Bhai and earns his trust. He gathers proof against the activities of Nana and hands them over to newspaper publisher Chaitanya Prasad alias CP. There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.

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Shadow (2020) Tamil Full Movie Watch Online Free *Rip File*

Shadow Watch Online – Youtube Trailer
Shadow (2020) Tamil Full Movie Watch Online Free *Youtube*

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Review:
There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.
The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.
The most entertaining part of the movie is the comedy track involving MS Narayana who plays Psycho Srinivas, a “post mortem specialist”. Venkatesh, tries hard to breathe life into a character that seems like a throwback to his Satruvu days. At over 50, perhaps he’s gotten a little old to get away with this kind of juvenile stuff now.
Taapsee’s performance is the most eye-popping of them all, quite literally at that. Let’s just say we get to see a lot (more than usual) of her in the movie and it wouldn’t be an exaggeration to say, the curly haired actress gave the hooters and whistlers plenty to cheer about. There support cast of Srikanth, Nasser, Suman, Kavitha and Madhurima do what is required of them. Aditya Pancholi and gang have little to do in terms of acting. They just seem to come and go.
Taapsee Pannu’s slender curvature dominates the songs, which seem like show-reels of het glam quotient, while tunes hardly register. The narrative lacks consistency and the cinematography and editing seem to have a heavy “Billa” hangover.
Note: It’s basically a big dumb revenge drama made with the usual accompaniments, watch it if you are in the mood for some lame fun.

Naanga Romba Busy (2020) HDTVRip Full Movie Watch Online Free

Naanga Romba Busy Full Movie (2020) HDTVRip Watch Online Free

Directed by: Badri
Starring by: Yogi Babu, Shruti Marathe, Rittika Sen
Genres: Comedy
Country: India
Language: Tamil

Storyline:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.

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Review:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. Set against the demonetisation period of 2016, the theme of the film lends itself well to the genre. The film, however, does not quite hit the mark.
The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.
A few instances of comic relief (thanks to witty one-liners from Yogi Babu and Mottai Rajendran) apart, the film does little justice to such a plump concept. Prasanna doles out a noteworthy performance and makes Kumaravel the film’s voice of reason. Shaam, too, plays ACP Ravichandran, the film’s complicated villain who butts head with Kumaravel. But the film lacks punch and often finds itself in preachy territories, giving us dated, emotional sermons about pre-marital romances and pregnancies, for instance. If the narrative had stuck to the pure comedic nature of the concept itself, Naanga Romba Busy would have been a wholesome ride.

Pikasu Full Movie

Pikasu (2020) HDRip Full Movie Watch Online Free

Pikasu Full Movie (2020) HDRip Watch Online Free

Directed by: Suhir Ponncchamy
Starring by: Kashish Priyana Pandey, Suhir Ponncchamy
Genres: Terror
Country: India
Language: Tamil

Storyline:
When an adventurous and wealthy young doctor ventures into the streets of Pondicherry, she had no idea of ​​the thrill that brewed for her.

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Unarvu Tamil Movie

Unarvu (2019) HDRip Tamil Full Movie Watch Online Free

Unarvu Tamil Full Movie (2019) HDRip Watch Online Free

Directed by: Subbu
Starring by: Kottachi, Ankitha Navya, Arul D. Shankar
Genres: Comedy, Drama, Thriller
Country: India
Language: Tamil

Storyline:
Intelligent Politicians Invest on Humans, The Result of the Investment is infinity, There are invisible weapons which cannot be notice those weapons are really mass killers , How can you can fix Politicians.

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Review:
Unarvu belongs to the list of those low-budget forgettable films made with good intention, but ended up as an exhausting work due to ineffective execution. One of the pivotal characters in the movie dreams of creating a beggar-free country and strives for the same in different ways. How he faces challenges from various quarters forms the plot. The film is high on melodrama and tiring preachy dialogues which tests one’s patience. The sloppy making and inconsistent performance of some of the artistes make things worse. The director wanted to make a film on how people can be easily manipulated by tickling their emotions, but didn’t succeed in putting it across to the audience.

Mookuthi Amman Tamil Full Movie

Mookuthi Amman Tamil Full Movie (2020) HDRip Watch Online Free

Mookuthi Amman Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: RJ Balaji
Starring by: Nayanthara, Yogi Babu, RJ Balaji
Genres: Comedy, Drama, Fantasy
Country: India
Language: Tamil

Storyline:
Tessa has everything to lose. Hardin has nothing to lose except her. Mookuthi Amman life will never be the same. After a tumultuous beginning to their relationship, Tessa and Hardin were on the path to making things work.Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.

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Unlike a few other popular devotional movies in Tamil, the makers of Mookuthi Amman have come up with a different recipe with ingredients added in such a way that it caters to all sections of audience, with elements of fantasy, comedy and emotion in adequate proportion. It also touches upon a few relevant topics which are easily relatable to Tamil audiences.
Set against Nagercoil, the story revolves around a small-time television reporter Engals Ramasamy (RJ Balaji), the sole breadwinner of a six-member family, which includes his mother (Urvashi), three sisters and grandfather. He has been hardworking for years to expose Bhagavathi Baba (Ajay Ghosh), a self-proclaimed godman, who has become a threat to the environment and people. Ramasamy’s mother has been planning a devotional tour to Tirupathi since several years, but one or the other factor plays spoilsport in the last minute.
One day, an elderly woman advises her to pray to Mookuthi Amman at their kuladeivam temple. An upset Ramasamy, who opens his heart to Amman, gets the shock of his life when Goddess herself appears in front of him. How the Goddess becomes close to Ramasamy’s family and helps the latter in revealing Baba’s true identity forms the rest of the story.
The prime positive aspect of the film is its casting – Balaji shines as the middle-class youngster who has been mired in various woes. His chemistry with other artists works big time and his comic timing and a few one-liners bring the house down. Nayanthara plays the titular role effortlessly. Her terrific screen presence is the USP of the film, and the scenes which feature her stand out. Fans would badly miss watching it on the big screen. As far as performance is concerned, Urvashi steals the show. From the first scene in which she engages in a conversation with the family of a girl with whom Balaji had a marriage proposal to the climax scene in which she talks to her husband, she enthralls the viewers throughout the movie. Ajay Ghosh was okayish as the fake Baba while Moulee and others were apt in their roles.
The first half of the film is a laugh riot with thoroughly engaging scenes and performances from all artists, but the second half fell flat at a few instances. The climax which had confrontation between saami and saamiyar lacked punch and the dialogues were quite predictable. The title card gave credit to a few films for inspiration, but unfortunately some of the scenes in the second half involving the fake godman reminded of popular sequences from those movies. Having said that the film delivers the message it intends to, in an effective way, by taking potshots at superficial belief systems, political parties which resorts to divisive politics, and so on.

Soorarai Pottru Kannada Full Movie

Soorarai Pottru Kannada Full Movie (2020) HDRip Watch Online Free

Soorarai Pottru Kannada Full Movie (2020) HDRip Watch Online Free

Directed and written by: Sudha Kongara
Starring by: Suriya, Jackie Shroff, Paresh Rawal
Genres: Action, Drama
Country: India
Language: Tamil

Storyline:
Nedumaran Rajangam aka Maara a man from a village who dreams to run a flight carrier, a low-cost one that would break cost and caste barriers. The film presents his struggles as a common man with a big dream and his conflicts with the crocodiles in the aviation industry, like Jaz airlines Paresh Goswami, his financial position, and how he wins the challenges, as well as the trust of people to succeed in his mission, is what the movie is all about.

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Based on Captain GR Gopinath’s Simply Fly and ‘stories from the aviation industry’, Sudha Kongara’s Soorarai Pottru is an inspiring tale about a common man who dreamt big. The film revolves around Nedumaaran Rajangam (Suriya), the son of a school teacher (Poo Ramu) in a Madurai village, who decides to start a lowcost airline that can be aspirational for even the less privileged. But with his inspiration, Paresh Goswami (Paresh Rawal), a leader in the aviation industry, trying his best to ensure that this dream doesn’t take off, will Maara be able to reach for the sky and not fall down?
Soorarai Pottru is a Suriya show all the way. After 24, he gets his meatiest role in a while, and the actor digs in with his customary tenacity, making us feel Maara’s every delight and despair. Be it the dramatic scene where he begs for money from passengers in an airport to visit his ailing dad or the subtle hints of hesitation that he conveys over asking for a loan from his own wife, Sundari aka Bommi (Aparna Balamurali), the actor shows that why he is considered one of the best of his generation.
The Maara-Bommi relationship is one of the film’s major strengths. They are both individuals who are crazy about their high-flying dreams. Bommi’s dream of running a bakery might seem small compared to Maara’s at first glance, but Sudha Kongara keeps underling the fact that she is also breaking the glass ceiling in her own way. Right from her introduction scene, when an older man tells her that it is only only sons provide for their parents, Bommi keeps questioning the patriarchy around her. When a relative asks her the reason for her saying ‘No’ to Maara, she asks if he had ever posed the same question to the 20 men who had rejected her as a bride! And when her family is concerned that Maara might not be able to look after her, she asks if it is always the man who is supposed to care for his wife.
In fact, it is her success — and her support — that allows Maara to cling on to his wild dream at his lowest moments. Refreshingly, the director doesn’t give her rousing lines to show this, but hard-hitting repartee. In one crucial scene, when a dejected Maara asks Bommi, who is feeding him, if she has poisoned the food, she shoots back that she would have, if he had accepted a buyout offer. And when he hesitantly asks her for a loan, she offers to give him more than the amount that he had asked her for and adds that he doesn’t have as big a heart as his dream and not give in to false pride.
Are these touches present because the screenplay has been written by women (Shalini Ushadevi and Sudha Kongara) and we have a woman at the helm here? Maybe yes, maybe not, but this sensitivity in the portrayal of a female character is definitely admirable. And Aparna Balamurali gives a spunky performance that instantly makes this character endearing.
The writing is pretty solid all round. From the efficient analogy of a Udipi hotel vs five-star that she uses to make the audience understand her protagonist’s dreams to the heartwarming scene of an entire village chipping in with their money to make this dream come true, the director gives us memorable moments and memorable characters. Of course, a couple of characters, like Mohan Babu’s Naidu, Maara’s strict higher officer in the army, and Maara’s friends (Vivekh Prasanna and Krishna Kumar) are strictly functional, but there are standouts as well. Like Poo Ramu’s Rajangam, and a terrific Urvashi, who, for a change, gets a serious role in Tamil, and Karunas, as Bommi’s uncle Alapparai.
Beneath the inspiring rags-to-riches tale, Soorarai Pottru is also a solid commentary on caste. When the less privileged Maara questions his pacifist father about what good his manu (petitions) has done, it also becomes a discussion on Manu (Smriti). Maara’s victory in the end not only ends in Paresh Goswami ending up having to swallow a bitter pill literally, but figuratively as well. Paresh’s reason for his desire to crush Maara’s dreams in the bud — despite he, too, being a man who has risen from a humble background — is reflective of the attitude that many of the less privileged develop once they become entitled.
On the downside, the film’s portrayal of the antagonist borders on caricature. As in Irudhi Suttru, this character is quite one-dimensional, and tonally different from the flesh-and-blood character of Maara and the people around him. It’s as if Jackie Shroff’s character in Bigil has somehow managed to enter into this world taking the form of Paresh Rawal.
Right from the start, the film shows us how the nexus between capitalists and bureaucrats has been instrumental in crushing anyone who dares to dream big, after a point, the hurdles that Maara has to cross begin to feel repetitive, making the film seem a bit overlong. But the closing visuals of the joy on the faces of the common folk who take the flight on Maara’s aircraft ensure a smooth touchdown.

Soorarai Pottru Tamil Full Movie

Soorarai Pottru HDRip Tamil Full Movie (2020) Watch Online Free

Soorarai Pottru HDRip Tamil Full Movie (2020) Watch Online Free

Directed and written by: Sudha Kongara
Starring by: Suriya, Jackie Shroff, Paresh Rawal
Genres: Action, Drama
Country: India
Language: Tamil

Storyline:
The inspiring journey of Captain G R Gopinath from an obscure village in Karnataka to a momentous career in the Indian Army and then to the founding of low-cost airline, Air Deccan, that revolutionised air travel in the country.

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Review:
Based on Captain GR Gopinath’s Simply Fly and ‘stories from the aviation industry’, Sudha Kongara’s Soorarai Pottru is an inspiring tale about a common man who dreamt big. The film revolves around Nedumaaran Rajangam (Suriya), the son of a school teacher (Poo Ramu) in a Madurai village, who decides to start a lowcost airline that can be aspirational for even the less privileged. But with his inspiration, Paresh Goswami (Paresh Rawal), a leader in the aviation industry, trying his best to ensure that this dream doesn’t take off, will Maara be able to reach for the sky and not fall down?
Soorarai Pottru is a Suriya show all the way. After 24, he gets his meatiest role in a while, and the actor digs in with his customary tenacity, making us feel Maara’s every delight and despair. Be it the dramatic scene where he begs for money from passengers in an airport to visit his ailing dad or the subtle hints of hesitation that he conveys over asking for a loan from his own wife, Sundari aka Bommi (Aparna Balamurali), the actor shows that why he is considered one of the best of his generation.
The Maara-Bommi relationship is one of the film’s major strengths. They are both individuals who are crazy about their high-flying dreams. Bommi’s dream of running a bakery might seem small compared to Maara’s at first glance, but Sudha Kongara keeps underling the fact that she is also breaking the glass ceiling in her own way. Right from her introduction scene, when an older man tells her that it is only only sons provide for their parents, Bommi keeps questioning the patriarchy around her. When a relative asks her the reason for her saying ‘No’ to Maara, she asks if he had ever posed the same question to the 20 men who had rejected her as a bride! And when her family is concerned that Maara might not be able to look after her, she asks if it is always the man who is supposed to care for his wife.
In fact, it is her success — and her support — that allows Maara to cling on to his wild dream at his lowest moments. Refreshingly, the director doesn’t give her rousing lines to show this, but hard-hitting repartee. In one crucial scene, when a dejected Maara asks Bommi, who is feeding him, if she has poisoned the food, she shoots back that she would have, if he had accepted a buyout offer. And when he hesitantly asks her for a loan, she offers to give him more than the amount that he had asked her for and adds that he doesn’t have as big a heart as his dream and not give in to false pride.
Are these touches present because the screenplay has been written by women (Shalini Ushadevi and Sudha Kongara) and we have a woman at the helm here? Maybe yes, maybe not, but this sensitivity in the portrayal of a female character is definitely admirable. And Aparna Balamurali gives a spunky performance that instantly makes this character endearing.
The writing is pretty solid all round. From the efficient analogy of a Udipi hotel vs five-star that she uses to make the audience understand her protagonist’s dreams to the heartwarming scene of an entire village chipping in with their money to make this dream come true, the director gives us memorable moments and memorable characters. Of course, a couple of characters, like Mohan Babu’s Naidu, Maara’s strict higher officer in the army, and Maara’s friends (Vivekh Prasanna and Krishna Kumar) are strictly functional, but there are standouts as well. Like Poo Ramu’s Rajangam, and a terrific Urvashi, who, for a change, gets a serious role in Tamil, and Karunas, as Bommi’s uncle Alapparai.
Beneath the inspiring rags-to-riches tale, Soorarai Pottru is also a solid commentary on caste. When the less privileged Maara questions his pacifist father about what good his manu (petitions) has done, it also becomes a discussion on Manu (Smriti). Maara’s victory in the end not only ends in Paresh Goswami ending up having to swallow a bitter pill literally, but figuratively as well. Paresh’s reason for his desire to crush Maara’s dreams in the bud — despite he, too, being a man who has risen from a humble background — is reflective of the attitude that many of the less privileged develop once they become entitled.
On the downside, the film’s portrayal of the antagonist borders on caricature. As in Irudhi Suttru, this character is quite one-dimensional, and tonally different from the flesh-and-blood character of Maara and the people around him. It’s as if Jackie Shroff’s character in Bigil has somehow managed to enter into this world taking the form of Paresh Rawal.
Right from the start, the film shows us how the nexus between capitalists and bureaucrats has been instrumental in crushing anyone who dares to dream big, after a point, the hurdles that Maara has to cross begin to feel repetitive, making the film seem a bit overlong. But the closing visuals of the joy on the faces of the common folk who take the flight on Maara’s aircraft ensure a smooth touchdown.

Gatham Tamil Full Movie

Gatham Tamil Full Movie (2020) HDRip Watch Online Free

Gatham Tamil Full Movie (2020) HDRip Watch Online Free

Directed and written by: Kiran Kondamadugula
Writer: Kiran Kondamadugula
Starring by: Bhargava Poludasu, Rakesh Galebhe, Poojitha Kuraparthi
Genres: Thriller
Country: USA
Language: Tamil

Storyline:
Gatham is completely set in the US. Rishi wakes up in a hospital and finds out that he has lost his memory. His girlfriend Aditi helps him reach his dad but on their way, their car breaks down all of a sudden. An unknown man comes to their rescue and takes the couple to their home. But to the couple’s shock, the unknown man starts targeting them. Rishi (Rakesh Galebhe) wakes up from an accident forgetting everything about his past. His girlfriend Adithi (Poojitha Kurapathi) takes him to meet his father but their car breaks down along the way. Arjun (Bhargava Poludasu) offers help, mango tokku pacchadi and his home to stay. But as the pair soon find out, something’s not quite right with him and his son Harsha (Harsha Prathap).

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Review:
Kiran Kondamadugula’s Gatham is a cleverly deceptive indie offering that begins on a shaky start and gets engaging as it progresses. The thriller has so many twists (minus the campiness) along the way; it would put Abbas-Mastan to shame. Does it have its drawbacks? Sure. But the film’s team gets an A+ for veering a mile away from anything that would remotely come across as cliché. At 1-hour-41-minutes, the film’s narrative is so tightly wound, it’s hard not to stay engaged.
Set in the snowy locales of US, Gatham wastes no time in the setting up the story. The discomfort begins from the get go as Rishi (Rakesh Galebhe) wakes up from an accident and cannot remember his past due to a severe head injury. His girlfriend Adithi (Poojitha Kurapathi) takes him home and agrees to take him to his father so he can recuperate. On the way there, they meet Arjun (Bhargava Poludasu), a seemingly helpful man with a cabin in the middle of nowhere. However as the minutes go by, the couple find themselves feeling uncomfortable by the minute in the presence of Arjun and his son Harsha (Harsha Prathap). But nothing is as it seems because who is the hero and villain of this tale really?
The way Gatham begins, one expects the film to be a run-of-the-mill thriller which sees a couple fighting for survival as they’re stuck with a bunch of perverts in an isolated cabin. Thirty minutes into the film, Bhargava’s character utters something so revolting, you feel nauseated about watching a film that has already worked hard to keep you uncomfortable from the get-go. But then, Kiran does a complete 360 with his narrative and you’re left wondering if you know anything about the characters like you seem to think you do as the story progresses. To reveal anything more would be an injustice.
Gatham will definitely remind Hollywood buffs of a few films they have already seen but the film’s cast, despite all being unknown faces and Sricharan Pakala’s BGM more than makes up for it. None of their performances are spot-on mind you, but they definitely work. Rakesh sounds a little like Vijay Deverakonda thanks to his voice and diction, Poojitha looks confused most of the time or pained (can’t blame her really) and the film slowly relies on Bhargava’s performance so much that it requires you to suspend disbelief and stay invested. Kiran’s screenplay too wastes no time with unnecessary plot-points or characters and sticks to the theme. The way he uses Rishi’s memory-loss as a narrative tool is clever.
At the end of the day Gatham is exactly what you expect it to be – a film made by Indian diaspora living in the US with the aim of having fun. It’s a bonus that they sure know how to narrate an interesting story. And a double bonus that there’s no fake Americanised Telugu accent in sight. Watch this one!

Thunder Tamil Full Movie

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Thunder Tamil Full Movie (2020) HDRip Watch Online Free

Directed and written by: Satya Deva
Starring by: Ali, Darbha Appaji Ambarisha, Radhika Apte
Genres: Action, Drama
Country: India
Language: Tamil

Storyline:
Bose ​coming back to life after staying in a coma for eighteen months. As soon as he recovers, Bose is ​suddenly ​mistaken as Godse by everyone around him.​ ​Bose keeps convincing all of them that he is not Godse and has his own story. When Godse (Balakrisha) wakes up from a coma, he’s shocked to find out that he has forgotten his past. The rest of the story is about how he unravels the mystery behind his true identity and the political conspiracy which wrecks his life.

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Review:
It’s true what people in Telugu film industry say about Balakrishna – he’s a director’s actor. He believes in every scene, dialogue and action sequence, no matter how over-the-top they are. And, he is every bit the hero that the director wants him to be. It is this earnestness in him that shines like a beacon, irrespective of what the fate of the film is. And that is pretty much what one can talk about in the context of his latest action drama, Lion. Directed by Satyadeva, the film is an action drama which, more often than not, finds itself in a mess. When Godse (Balakrisha) wakes up from a coma, he’s shocked to find out that he has forgotten his past. The rest of the story is about how he unravels the mystery behind his true identity and the political conspiracy which wrecks his life.When Godse (Balakrisha) wakes up from a coma, he’s shocked to find out that he has forgotten his past. The rest of the story is about how he unravels the mystery behind his true identity and the political conspiracy which wrecks his life.
The film opens in a hospital, where Godse (Balakrishna) wakes up from a coma for a long time. He doesn’t remember his past and is surprised when an elderly couple, played by Chandramohan and Jayasudha, claim to be his parents. Soon, he comes to Hyderabad in search of his true identity and he bumps into Mahalakshmi (Trisha), who he believes is his girlfriend. When she tells him that it’s a case of mistaken identity, Godse is taken aback and he meets a similar fate when he meets his parents as well. What’s the reason behind their denial? Is Godse really the man he claims to be? That forms the crux of rest of this story.
A film like this requires a certain amount of suspension of disbelief, especially when it comes to the gravity-defying stunt sequences. In one particular scene, Balakrishna is airlifted and moments later, he breaks himself free and lands on the ground without a scratch on his body. And there’s plenty of mumbo-jumbo about firewall security, tracking devices to name a few. While the intent to mount the film on a huge scale is palpable, the biggest let down of the film is the storytelling itself. It’s so convoluted right till the end. There are flashbacks within a flashback and by the time you know what’s happening, the basic plotline stops making sense. The first half is drab, although, to be fair, the film picks up momentum from the interval scene onwards.
Lion has a huge star-cast, but not a single one of them, except Balakrishna and to an extent, Prakash Raj, has any substantial roles to play. Perhaps, the only saving grace is the background score by Mani Sharma and few power-packed dialogues. At a run time of 160 minutes, Lion feels excruciatingly long, and despite several twists and turns the story is barely engaging. And you can’t help but wonder if Balakrishna, along with the rest of the cast, deserved something better.

En Frienda Pola Yaru Machan Tamil Full Movie

En Frienda Pola Yaru Machan Tamil Full Movie (2020) HDRip Watch Online Free

En Frienda Pola Yaru Machan Tamil Full Movie (2020) HDRip Watch Online Free

Directed and written by: Thirumala Kishore
Starring by: Ram Pothineni, Anupama Parameswaran, Lavanya Tripathi
Genres: Drama, Romance
Country: India
Language: Tamil

Storyline:
Abhi is not just your run-of-the-mill rich kid with a heart of gold. The friendship he has with Vasu since childhood is such that he would do anything to make his friend happy. Their lives are so intertwined that everyone else in Abhi’s life plays only a second fiddle to Vasu.

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Plot:
The story revolves around five childhood friends Abhi (Ram Pothineni), Vasu (Sree Vishnu), Sai (Kireeti Damaraju), Satish (Priyadarshi Pullikonda) and Koushik (Koushik Rachapudi).

Abhi is a restaurant owner in Milan. He meets a girl named Shreya (Anisha Ambrose) and becomes friends with her. Shreya falls in love with him and proposes to him, but Abhi declines. When Shreya asks why he narrates his flashback.

Abhi and his friends are very close and are always there for one another. Things change when Abhi and Vasu fall in love with the same girl, Mahalakshmi a.k.a Maha (Anupama Parameswaran), who is studying medicine. After knowing that she is a classical singer, Abhi gives her a chance to sing in his band after observing her voice, and Vasu encourages her to perform in the program by getting the acceptance of her parents. But when both reveal that they love the same girl, they decide to ask her whom she loves. She reveals that she loves Vasu. But Abhi doesn’t mind as he is a happy-go-lucky guy. Vasu begins to spend more time with Maha and starts ignoring Abhi. He also forgets to go to Abhi’s mother’s grave on the day of her death, like he always does, and goes to celebrate Maha’s parents’ anniversary, instead. This starts a fight between them. Vasu says that priorities change with time and this time Maha is his priority. After hearing this, Abhi gets hurt and leaves to Milan without telling anyone.

Back in the present, Abhi meets Vasu’s sister, Ramya (Alka Rathore), in his own restaurant and finds out that Maha died in a car accident. Abhi feels bad about losing Maha and he feels responsible for Vasu’s situation. He comes to know about Sai’s marriage and decides to attend it. Abhi leaves to Ooty for the marriage, only to find Vasu becomes dull and lifeless after Maha’s death four years ago. Vasu avoids Abhi for some days as Abhi left him alone when he was needed the most.

Vasu and Abhi meet a girl named Meghana a.k.a. Maggie (Lavanya Tripathi) and her friend, Kanuka (Himaja), who are the wedding planners for Sai’s marriage. Meanwhile, Sai’s marriage has been canceled because of an argument between Sai’s mother and the bride Srushti(Kaumudi Nemani) because of a petty issue with Srushti’s dog. Maggie feels stressed about her loan because she had invested a lot of money and hopes on this wedding. Though she was in loss, she had invested through loans and she didn’t pay back any of them. Abhi decides to pay her loan installment. Maggie promises Abhi to pay him back with interest. Later, the gang decides to forget about the wedding and plan for a trek. On the way to their trek, the local taxi drivers stop them to organize a monopoly system by force and push Maggie, which leads to a fight between them and Abhi. When Abhi is hit by one of the goons, Vasu joins the fight. Later, Abhi pours his heart out that he didn’t know about Maha and tells Vasu that he would have come immediately if he knew. They both happily unite after sorting out their differences. As they all spend time together, Maggie becomes close to both Vasu and Abhi. Satish thinks that she might cause a fight between Vasu and Abhi again, just like Maha did.

In a sudden encounter, Maha’s friend Usha (Priya Chowdary) gives Maha’s personal belongings to Vasu. Later, with the help of Abhi, Sai confronts his feelings on Srushti. Srushti accepts his proposal. Then, the marriage programs begin again according to the plan with the acceptance of their families. After the completion of the wedding, Satish convinces Abhi that Vasu loves Maggie and tells him to let them be together. Then Abhi leaves the place without telling anyone. Later Maggie and Vasu ask about Abhi, making Satish confront everything to them. Vasu tells him that he doesn’t have any feelings for Maggie and that they are just good friends. Maggie also says that she loves Abhi, not Vasu. Then, the gang finds him in Ooty’s railway station.

Vasu reveals that he went through Maha’s things and learned the truth. Vasu reads her diary and gets to know that she actually loved Abhi, and not him. A day before saying yes to Vasu, Maha met Abhi and proposed to him. But Abhi requested her to accept Vasu’s proposal because he is very sensitive and might get depressed otherwise. Maha obeyed Abhi and accepted Vasu’s proposal. Later, she understood Vasu’s love and changed her mind. At the end of the diary, she asked herself about what would happen if Vasu learned about this. Would he have been ok with what happened? Then, Vasu asks Abhi why he did that. Abhi says that when he lost his mother, Vasu took her place in his life and that his priorities wouldn’t have changed anytime, meaning Vasu would always be a priority to Abhi. Vasu unites Abhi and Maggie and the film ends with everyone smiling and looking happy.

Majili Tamil Full Movie

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Majili Tamil Full Movie (2020) HDRip Watch Online Free

Directed and written by: Shiva Nirvana
Starring by: Naga Chaitanya Akkineni, Samantha Ruth Prabhu, Divyansha Kaushik
Genres: Drama, Romance
Country: India
Language: Tamil

Storyline:
A former cricket player nursing his wounds of a failed relationship takes up the task of training his ex-lover’s daughter and in the process discovers his feelings towards his wife and her unrequited love for him.

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Review:
Love, heartbreak and cricket is the premise around which Shiva Nirvana builds his latest love story Majili. He builds his characters slowly around this, but for the large part of the film, there’s a lot of heartbreak and less love, while cricket is simply shown as an aside — most of it is exaggerated and flawed. Strangely enough, for a love story like Majili, there are a lot of action sequences. It seems people in Vizag, where the film is based, are willing to beat each other up at the drop of a hat. And there’s seldom any closure to all the violence. It all seemed part of a mythical ‘magic formula’ that the director was trying to find. And yet, despite all of this, Majili keeps you interested and entertained for most part of it.
The film revolves around Poorna (Naga Chaitanya), a failed cricketer, who becomes an alcoholic and borrows money from his wife Sravani (Samantha) to get his daily booze fix. He’s a nuisance to his neighbourhood and a constant source of worry to his dad (Rao Ramesh). But Sravani remains convinced that he’ll come around, that his wounds will eventually heal. Except his wounds are not physical — they are emotional ones that run so deep, it nearly destroys him. It’s a failed love story (no surprises there), involving Anshu (Divyanka Kaushik), the daughter of a naval officer (Atul Agnihotri). As a budding cricketer, Poorna falls for Anshu (in a typical, dramatic hate-turns-love situation) and just when things seem to be going smoothly, he gets involved in a rift with his captain, quits the team and decides to work for a corrupt politician Bhushan (Subbarao) instead. And just like that, one bad decision changes his life forever.
Quite often, the director seems to be in two minds and is unsure whether he wants to break stereotypes or tick every box that he thinks is needed to make the film work. In a lot of ways, the film is refreshing. Each character has depth and seems to have been nurtured with a lot of thought, the music is wonderful, and the pain of the protagonist is portrayed without turning the film into a sobfest. The director is helped by some brilliant performances from the lead cast. Samantha outshines everybody else with an understated yet powerful performance. Chaitanya seems more in his element when he’s playing the bearded, heartbroken alcoholic rather than the younger cricketer that’s shown in the flashback sequences. Rao Ramesh and Posani Murali Krishna are the ones who lift this film beyond the protagonist’s sullen love story, with terrific performances.
For all its moments of brilliance, the flaws in Majili are too glaring to ignore. For instance, the director seems to be confused about what to do with Subbbaraju’s character. First he’s shown as this evil goon. He then becomes more powerful but is then made irrelevant to the film or the plot. The film becomes a tale of two halves. From an abrupt end to one love story, it starts a new one, and it doesn’t always convince — neither does the climax. But as Majili plays out, you sympathise with the protagonist, feel his angst and relate to his pain. The film has enough in it to keep you glued to the screen, and despite the ill-timed songs and unnecessary fights, Majili is worth a watch.

Jai Simha Tamil Full Movie

Jai Simha Tamil Full Movie (2018) HDRip Watch Online Free

Jai Simha Tamil Full Movie (2018) HDRip Watch Online Free

Directed by: K.S. Ravikumar
Written by: M. Rathnam, M. Rathnam
Starring by: Nandamuri Bala Krishna, Nayanthara, Haripriya
Genres: Action
Country: India
Language: Tamil

Storyline:
Narasimha is a man on the run with his one year old son. He reaches Kumbakonam and stays at the house of the village temple’s dharma karta’s house. But while there, he bumps into Gowri who seems to dislike him for some reason, despite being his childhood friend. A death row inmate Rami Reddy also seems to hold a grudge against Narasimha.

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Review:
‘Jai Simha’ is not a love story nor is it a family drama. It is purely a film made to elevate Balakrishna and his character Narasimha. His character and larger-than-life persona even overshadow the plot that seems right out of a retro film. This is Balayya’s film through and through, and there’s simply no space for anything else.
Narasimha is a do-gooder rowdy with a golden heart, who only beats up people when it serves a greater good. His character has taken it upon himself to be the saviour of Visakhapatnam, the city he resides in, and punish those who sin. The rapists, murderers, abusers, even the medical mafia all get what they deserve, all thanks to him. A man like that is unlikely to be left without making an enemy out of the wrong crowd. But his character’s most admirable trait is his unselfish and sacrificial love for Gowri.
Gowri (Nayantara) is his classmate and childhood sweetheart. The two grow up together and it’s only natural that they fall in love. But, Narasimha is too scared to ask Gowri’s father (Prakash Raj), the headmaster of the school they studied in, for her hand. Her father doesn’t seem to approve of him either. Gowri is a teacher, while Narasimha is a mechanic/rowdy and her father wants his daughter to have a safe and sound life.
For no reason other than to fill time and sing duets with our hero, Natasha Doshi and Haripriya also exist in this film. He seems to be fond of these two ladies too, even if his ‘one true love’ is, and will always remain to be Gowri. Natasha Doshi is the daughter of Murali Krishna (Murali Mohan), whose house Narasimha stays at. Because she’s a ‘foreign return’, she must wear skimpy clothes and do drugs. But because this is a Balakrishna film, she must also change for the better and immediately begin wearing langa vonis and visit temples in penance. Haripriya is a worker at Narasimha’s garage and a daughter figure turned wife, in the most bizarre twist in the history of Telugu cinema. She literally runs to his beck and call and is all too happy to be married to him.
To reveal more would be a great injustice to the film, as this is a story that must be watched on-screen, even if just for the nostalgia and entertainment factor. Despite all the preachy dialogues and sporadic draggy bits, one cannot accuse ‘Jai Simha’ of not being entertaining enough. The film is filled with twists and turns that will make one sit up and take notice, if only to be disappointed by the pay-off. Balakrishna plays a role he has played a million times before and the story draws to a conclusion with a twist that isn’t exactly surprising either.
The first half of ‘Jai Simha’ sets the pace for the film well, making one curious to where this is all heading. But post-interval, the film takes not just a predictable path, but also a borderline nonsensical one. Brahmanandam is a delight to watch on-screen, even if the comedic track seems forced in an otherwise serious film. The song ‘Ammakutti’ draws wolf-whistles from the crowd, for Balayya’s moves and the massy lyrics, but the rest of the songs are lukewarm. ‘Jai Simha’ is good for a one-time watch, and is purely just for the ‘Jai Balayya’ fans.