2020

Aravinda Sametha Hindi Full Movie

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Aravinda Sametha Hindi Full Movie (2020) HDRip Watch Online Free

Directed and written by: Trivikram Srinivas
Starring by: N.T. Rama Rao Jr., Pooja Hegde, Jagapathi Babu
Genres: Action, Drama
Country: India
Language: Hindi

Storyline:
The film is about two villages headed by Narapa Reddy and Basi Reddy who are always at loggerheads with each other. For them, words do not matter as they communicate with swords and bloodshed.

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Review:
It’s a war-torn village Kommaddi, where heads fly faster than the words that its residents mouth. Two warring groups lead by Narapareddy and Basireddy too prefer to speak through their swords than words. Even a game of cards in this backdrop is addressed as ‘five rupee worth faction’. In comes the son of the soil, Veeraraghava Reddy, the only sign of hope to instill some sense amidst this menace. Featuring an actor like Jr NTR known for his action potboilers, Trivikram utilises his presence and a commercial backdrop to drive home an important signal of peace, like the pigeon that accompanies the title card in the opening frame.
Though the plot outline makes this seem like a Mirchi equivalent for Jr NTR – the cocktail of intensity, entertainment, efficient dialogue-baazi, all in measured amounts, keeps the film ticking along neatly. Trivikram masters the judicious balance of pandering to the masses and being a sane voice in the time of need. Aravinda Sametha Veeraraghava is definitely a film that marks a firm departure from the comfort zone of the director and the lead actor. It’s a story that single-mindedly focuses on transformation, and one whose intentions remain consistent. The strong performances do a lot of good in ensuring an impactful film, that precisely paves the way for ‘Rayalaseema’ to turn into a ‘Ratanalaseema’.
Melodrama often clouds the character arcs of women in factionism-driven films, that’s where Aravinda Sametha differs from the pack. The Penimiti song is one example of the emotional turmoil that a woman suffers as her man sets out for a blood bath. And Aravinda, played by Pooja Hegde isn’t Trivikram’s quintessential heroine. Here she is studying anthropology and ethno-driven violence, being the critical link in showing the way forward to a character like Veeraraghava Reddy stuck between revenge and larger purpose. Supriya Pathak, Devayani, Eeswari Rao may have minimal screen time, but there’s enough meat in their characterisation.
This transformational journey gives us a delightful interval action block where Jr NTR offers the goons a taste of death and yet doesn’t tear them apart. While there’s enough action and drama happening in the proceedings to keep you occupied in the first hour, things aren’t quite seamless post the intermission. The one worry throughout Aravinda Sametha remains its predictability. But for a twist or two, you know the trajectory of its lead character. It’s the humour quotient that keeps the film alive then. Naresh and Srinivas Reddy continue from where they left their delightful banter in A..Aa. Sunil delivers lesser laughs than promised, but that doesn’t take away anything from his much needed return to his forte.
All it takes to make a solid commercial film is to redefine it in relevance to the times. It’s not often you’d find a lead character asking people, ‘what’s so heroic about holding a dagger or slapping your thigh’. It’s refreshing to watch NTR remain his controlled self in the film’s entirety. Pooja Hegde gets a credible role as a budding documentary filmmaker, though it’s hard to fathom an actor like Eesha being saddled into a role of nothingness. Trivikram’s fascination for mythology lends well with the theme and the treatment scores over his indulgence this time. And Thaman’s evolution as a composer truly benefits the film. A emotional drama camouflaged in a commercial exterior, here’s a film that’s courageous to stand apart from slapstick madness.

Like a Boss Telugu Dubbed Movie

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Like a Boss Telugu Dubbed Movie (2020) BRRip Watch Online Free

Directed by: Miguel Arteta
Written by: Sam Pitman, Adam Cole-Kelly
Starring by: Tiffany Haddish, Rose Byrne, Salma Hayek
Genres: Comedy
Country: USA
Language: Telugu

Storyline:
Two friends with very different ideals start a beauty company together. One is more practical while the other wants to earn her fortune and live a lavish lifestyle.Two friends with very different personalities run their own beauty company, Mia&Mel. Mia (Tiffany Haddish) is more practical and inventive, while Mel (Rose Byrne) wants to earn her fortune quickly and live a lavish lifestyle.

Things take a turn for the worse when their company runs into debt, forcing them to turn to unscrupulous benefactor Claire Luna (Salma Hayek), head of a major cosmetics empire, who intends to steal the business out from under them. The two must address their differences to save their business, as they are faced with the challenge of ‘proving’ themselves to Luna even as Luna steals their ‘one-night-stand’ bag idea and has it marketed through one of her other companies, as well as forcing them to fire one of their workers Barrett (Billy Porter), the other is Sydney (Jennifer Coolidge).

Mia and Mel briefly ‘split up’ through their different approaches to Luna’s offer, but they reconcile when their friends help them face how they need each other. Faced with the possible loss of their business, Mia and Mel approach Shay (Lisa Kudrow), Luna’s former business partner, to start a new company, Proud Cosmetics, marketing their new ‘Ride or Die’ product, make-up intended to be used by best friends together to face their nights out. With this loophole, Mia and Mel are able to produce and market ‘Ride or Die’ under the ‘Proud’ banner while Luna takes ownership of Mia&Mel while still required to pay them 49% of all subsequent earnings. Mia and Mel also bring along Sydney and Barrett to the new company.

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user Review:
If you watched the trailer and thought it made the movie look trashy, you’re wrong. It’s way worse than the trailer. This movie is garbage and offensive in so many ways. In movie terms, the humor in this movie is BLUE. That means very inappropriate. It’s raunchy and vulgar from the very first sentence in the movie. Why do women have to be portrayed that way to prove they can be powerful in business? Written and directed by men, this cringe-worthy gal-pal comedy showcases female empowerment gone wrong. Women deserve so much better.

January movies are notoriously horrible and Like a Boss is perfect for a January release. You can read the rest of my Movie Review Mom (dot) com.

Shadow Tamil Full Movie

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Shadow Tamil Full Movie (2020) HDRip Watch Online Free

Directed by: Meher Ramesh
Written by: Kona Venkat, Gopimohan
Starring by: Venkatesh Daggubati, Srikanth, Taapsee Pannu
Genres: Action, Crime, Drama
Country: India
Language: Tamil

Storyline:
Rajaram is the son of Raghuram an investigative journalist in a United Nations agency. He infiltrates the criminal organization of Nana Bhai and earns his trust. He gathers proof against the activities of Nana and hands them over to newspaper publisher Chaitanya Prasad alias CP. There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.

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Review:
There is a popular Hyderabadi confection Dil Khush, which is basically a triangular bread pie stuffed with cake leftovers. Depending on the quality of the bread and the cake leftovers and the baker, the price varies from Rs 5 to Rs25, it’s still called Dil Khush though. If somebody comes along remakes it with fine Italian bread and fancy chocolate cake leftovers, and serves it chilled, and calls it Chocolate Sundae (or some such), and charges Rs 100 for it, would you still buy it? May be you would. But then this movie a like the expensive Dil Khush made with the same old cheap cake leftovers.
The filmmakers, we’re afraid, sold us a dummy in the garb of a “stylish revenge drama.” Besides Venky’s hooded long coats, Taapsee Pannu’s micro minis (skirts and wraparounds) there is hardly anything that qualifies to be called stylish, unless of course you want to add wide-angled montages of some picturesque sights of Malaysia, which has become the official head quarters of Tollywood’s underworld dons. The villain, Nana Bhai, is another such international mafia-kingpin who wears designer suits and flies around in a personal helicopter. His close aides start falling prey to an unidentified long haired killer, who drives a fancy bike and calls himself Shadow.
The most entertaining part of the movie is the comedy track involving MS Narayana who plays Psycho Srinivas, a “post mortem specialist”. Venkatesh, tries hard to breathe life into a character that seems like a throwback to his Satruvu days. At over 50, perhaps he’s gotten a little old to get away with this kind of juvenile stuff now.
Taapsee’s performance is the most eye-popping of them all, quite literally at that. Let’s just say we get to see a lot (more than usual) of her in the movie and it wouldn’t be an exaggeration to say, the curly haired actress gave the hooters and whistlers plenty to cheer about. There support cast of Srikanth, Nasser, Suman, Kavitha and Madhurima do what is required of them. Aditya Pancholi and gang have little to do in terms of acting. They just seem to come and go.
Taapsee Pannu’s slender curvature dominates the songs, which seem like show-reels of het glam quotient, while tunes hardly register. The narrative lacks consistency and the cinematography and editing seem to have a heavy “Billa” hangover.
Note: It’s basically a big dumb revenge drama made with the usual accompaniments, watch it if you are in the mood for some lame fun.

Middle Class Melodies Telugu Full Movie

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Middle Class Melodies Telugu Full Movie (2020) HDRip Watch Online Free

Directed by: Vinod Anantoju
Written by: Vinod Anantoju, Janardhan Pasumarthi
Starring by: Anand Deverakonda, Varsha Bollamma, Divya Drishti
Genres: Comedy, Drama, Romance
Country: India
Language: Telugu

Storyline:
Raghava who runs a breakfast center in his village, dreams of starting a small hotel in nearby city, Guntur. Accompanied by his friend Gopal, Raghava plans to buy an old shop in city against the interest of his father, which co-incidentally belongs to Nageswara Rao, father of his love interest, Sandhya. How Raghava’s love life and his dream to establish his own hotel clash, forms the crux of the story. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true? Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.

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Vinod Anantoju’s Middle Class Melodies has nothing to do with music; the melodies here refer to the familiar beats in a middle-class Indian life. Be it the cuss words a father spews not out of hate, but love or the way women try to balance the and assert their rights when the time comes – no beat in this beautiful tale seems unfamiliar.
Raghava (Anand Deverakonda) decides to make his delicious Bombay chutney famous in Guntur the day he learns it from his mother Lakshmi (Surabhi Prabhavathi) as a young child in Kolakaluru. His father Kondala Rao (Goparaju Ramana, who’s nothing but excellent) is a loud and foul-mouthed man who runs a tiffin centre, a temper his son also inherits. With his parents’ support, he moves to the ‘big city’ to make all his dreams come true. Sandhya (Varsha Bollamma) has been in love with Raghava for years and struggles to get closer to him. But when being famous for his Bombay chutney is Raghava’s first priority, how he manages to leave his mark forms the tale.
Right from the first frame Vinod makes it clear that there will be no rousing music or heroism shown in this tale. It’s hard not to gag with laughter at the ridiculous sight of an old woman being pulled up on a chair with ropes tied to them or at Raghava’s friend Gopal (Chaitanya Garikipati) who is so obsessed with horoscopes, he’s even willing to let go of Gautami (Divya Sripada), a girl he loves because she was born at a particular time. But at a point in the tale, the familiarity gets too much, making you wonder why some of the tracks, like that of Gopal’s uncle and a chit fund, are explored in detail.
Middle Class Melodies is not without its flaws, it also seems to miss a secret ingredient that would make it great, but it refreshingly offers a peek into everyday lives of characters that are relatable. Because this film is not just about Raghava and his dream, even if that holds the story together. The best part about the film is that, it never overdoes on the emotions, keeping the humour and anger both natural. The bitter-sweet beats of this tale are supported by able performances not just by Anand (whose voice and diction is sometimes reminiscent of his brother Vijay Deverakonda) and Varsha (who’s cute as a peach), but every single one of the cast members (including a hilarious cameo by Tharun Bhascker) and Goparaju Ramana make their mark. Janardhan Pasumarthi’s dialogues apart from Sweekar Agasthi and RH Vikram’s soulful music and Sunny Kurapati’s cinematography also pour soul into the film.
Middle Class Melodies and the tale it tells of an underdog is one as old as time. But it’s also as comforting as some delicious Bombay chutney made with love, which makes it worth watching. Raghava (Anand Deverakonda) is a hot-headed young man who believes his Bombay chutney is out of the world and wants to set up his own tiffin centre in Guntur. Will his dream come true?

A Simple Murder Hindi Season 1

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Starring by: Priya Anand, Mohammed Zeeshan Ayyub, Amit Sial
Genres: Action, Crime, Thriller
Country: India
Language: Hindi

Storyline:
This series features actor Mohd Zeeshan Ayyub who plays Manish in the series. He is assigned to kill someone. However, a goof-up happens and he kills the wrong person, who is Amit Sial’s girlfriend. This leads to an onset of troubles for Manish as Amit Sial wants to avenge his girlfriend’s death. Richa likes to wear plunging neckline tops to work and wants to sleep on a ‘paison ka bistar’ but her husband is languishing at home, waiting for his million-dollar idea to attract a wealthy investor. At the moment, he is just pilfering money from her handbag while his products float away on clogged water. “Tu kisi kaam ka nahin hai,” Richa exclaims, livid. Soon after this introductory episode, Manish finds what he has been looking for years – a potential business partner. But a huge mix-up means he shows up at the wrong office, and to do a job he doesn’t have the heart for.

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Richa likes to wear plunging neckline tops to work and wants to sleep on a ‘paison ka bistar’ but her husband is languishing at home, waiting for his million-dollar idea to attract a wealthy investor. At the moment, he is just pilfering money from her handbag while his products float away on clogged water. “Tu kisi kaam ka nahin hai,” Richa exclaims, livid. Soon after this introductory episode, Manish finds what he has been looking for years – a potential business partner. But a huge mix-up means he shows up at the wrong office, and to do a job he doesn’t have the heartfor.

‘A Simple Murder’ has a drum-roll-worthy commencement but loses its sheen pretty early on owing to haphazard direction and a feeble script. The promo says it’s a comedy of errors but except for a few condom-packet jokes and that one ‘cheque nahin, Czech Republic’ punchline, the rest of this action-comedy is a continuous effort to connect the dots while trying to stay relevant (and funny) along the way. Of course, the actors ease the pain with their earnest attempts at conjuring up something entertaining with what they had at their disposals, but good acting sans a solid plotline and crisp direction random work. Do they? And to add insult to injury, S. Bharathwaaj’s cinematography tanks – flat-out lazy, underwhelming and there’s no nicer way of saying it.

Mohammed Zeeshan Ayyub’s this Dilli-ka-macho-launda – spewing gaalis and burning with envy over his wife’s growing proximity with her affluent boss (Ayaz Khan). That charcter hates the world for his own shortcomings, and Zeeshan as Manish is hilariously delusional and a natural at that. ‘English Vinglish’ girl Priya Anand is a greedy, over-ambitious woman stuck with wrong men and the actress has no problem in portraying a morally-bankrupt person and staying in sync with the energy of the male lead. Sushant Singh is highly animated as kill-on-cue Himmat and although his sing-song diction is initially endearing, it gets borderline annoying after the first few episodes. Not his fault though.

Nothing’s simple about ‘A Simple Murder’ and if that was the intent, it has landed miles away from where it was supposed to.

Target Number One Dubbed Movie

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Directed and written by: Daniel Roby
Starring by: Antoine Olivier Pilon, Josh Hartnett, Stephen McHattie
Genres: Crime, Thriller
Country: Canada
Language: Telugu

Storyline:
In 1989, Canadian journalist Victor Malarek unravels the case of a young ex-drug addict Daniel Leger, who is accused of supplying heroin and is imprisoned in a Thai prison for a hundred years. Malarek tries to expose a dark police conspiracy and save Daniel from imprisonment and torture.

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Review:
In the 80s and 90s, there lived a daredevil of an investigative journalist in Canada, Victor Malarek (Josh Hartnett), who feared none and threw around cuss words during live interviews with dignitaries, often dodgy in their demeanour. That’s the picture that was initially painted by writer-director Daniel Roby in this ambitious biographical drama and, truth be told, we were hooked for a brief while. The opening sequence is a clichéd one: of two henchmen chasing the cocky journo in a car to send out a message, he doesn’t budge. In a parallel universe, small-time junkie Daniel Leger (Antoine Olivier Pilon) has been robbed off all his money by the same friend he is now shooting heroine with in a rented boat, Michael, and his ‘crazy’ friend Glen Picker (Jim Gaffigan). Picker offers up his free space to Leger to crash in exchange for odd jobs. Moolah? 80 dollars and tips. Plus the free supply of drugs and to nobody’s surprise, Leger is happy to oblige.
The drug syndicate in Thailand is making inroads into their soil and the pressure to act is overbearing for federal agent Frank Cooper (Stephen McHattie) and his subordinates. Their top informant Picker has a drug lord by the neck and all they need to do is lay a full-proof trap for him to fall into in Thailand. Stage set, points scored. A year later – desperately looking for an explosive story to cover – Malarek revisits the press release of Leger’s arrest and arranges an interview with him. But the Thai police and the Canadian embassy have black-listed Malarek and he is now on round-the-clock watch. ‘Target Number One’ (also released as ‘Most Wanted’ in the US) is torn between two timelines, two scenarios and two lives.
The trailer of this Canadian production was intriguing but the same cannot be said about its full-length version: for one, the story should have revolved around Leger (especially when you are calling it names like ‘Target Number One’ and ‘Most Wanted’, no?) and his miseries in the Thai prison and not on Malarek’s personal issues and professional misfires. Secondly, Antoine Olivier Pilon as Leger is quite the revelation and the two central characters should have gotten more screen time together. In fact, the only times you are invested in the story is when Pilon shows up – once during his interview with Malarek, and the other time when he is begging, pleading with the Thai judges to hear his side of the story in a court of law.
Josh Hartnett puts in solid effort as the self-righteous investigative journalist ‘who is trying to make the world just a bit better’ but he snaps in and out of his character every now and then. Antoine Olivier Pilon’s the best thing to have happened to ‘Target Number One’; he speaks volumes even when he is staring away or talking in hushed tones. Funny man Jim Gaffigan’s not the world’s most convincing informant/rat but there are far bigger problems than him being a miscast.
Cinematographer Ronald Plante deserves accolades for capturing the essence of that era right and all the tension pertaining to the case in question. Jorane’s music essentially puts the p in pity and p in pathos; very impactful in intense scenes.
This crime drama sets out to honour the exposé that Malarek had written back in 1989, which, in turn, led to cracking the alleged cover-up wide open. In fact, in his autobiography ‘Good Luck Frenchy’, Olivier has said that if not for Victor Malarek, he may never have returned to Canada or be able to tell his side of the story. Unfortunately, none of these sentiments shine through in its visual representation. All we get is a stubborn journalist and his relentless pursuit to seek the truth. The journey in between has been dropped, and that in itself is a criminal offence.

Bicchoo Ka Khel Hindi Season 1 Episodes

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Bicchoo Ka Khel Hindi Season 1 (2020) HDRip Watch Online Free

Directed by: Ashish Shukla
Starring by: Monika Chowdhury, Premnath Gulati, Divyendu Sharma
Genres: Crime, Thriller
Country: India
Language: Hindi

Storyline:
Akhil experiences a complete life transformation when his father is framed and killed by powerful people in Banaras. He challenges the system that he will take his father’s revenge in front of the world and will walk out ‘not guilty’ from the court. What happens when a young student loses his father to a cover-up? Can he find it in himself to forget the past and move on, or is revenge the only thing that can give him some peace of mind? Akhil experiences a complete life transformation when his father is framed and killed by powerful people in Banaras. He challenges the system that he will take his father’s revenge in front of the world and will walk out ‘not guilty’ from the court, but how? t looks like we don’t have a Synopsis for this title yet. Be the first to contribute! Just click the “Edit page” button at the bottom of the page or learn more in the Synopsis submission guide.

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User Review:
To be honest I have watched only 2 episodes yet and I have to say it lived upto mine expectations. Special credit needs to be given to Diveyndu for his performance as an UP guy. He doesn’t need extra effort to play a role of an UP guy.

I will honestly rate it 6 but its overrated(perhaps paid). Divyendu Sharma acted well. Poor execution of story line. The theme music is played every now and then; it is so irritating. Direction is poor.

This show is a refreshing change of pace from the average TV drama and is completely addictive. There are so many possibilities the show could go anyway and continue to go anyway it chooses.

The scripting is intelligent and well delivered by competent acting…..The show was five episodes in, so I caught up on the action online. And I must say that the acclaim is well-deserved

I like it, and thanks all the cast for their fantastic performances. I’d love to praise this show more but need to get back to binging it some more!

Character driven drama with enough humour and violence to whet my whistle every week. FINALLY A show that relies of good story telling, fantastic acting, chalk full of character, and realistic plot.

This series gets a 10 from me because it’s the only series that I absolutely will not miss an episode of. These guys know what they are doing, and they got it in spades. I try not to binge watch it, but i keep going, “ok just one more” next thing i know its 4am.

Expected quite spot from it but tbh it wasn’t that much fun from starting. Only munna bhaiya and Tiwary ji played their roles nicely. Plot wasn’t that much great and funny. Though enjoyed it. Ending was okay too.

Main character has followed theme and style from Mirzapur series. No doubt that acting is very good but this is simple story of some twists and turns. Nothing new, but yes not upto rating of 10.

Not as per expectations, just a hyped one, do not waste your time, very much better series are out there.

Really, Acting is brilliant but writing direction screenplay is not a level to match acting level. If you love our new hard working actors go for it but if you want a good story then this should be avoid.

Anaganaga O Athidhi Full Movie

Anaganaga O Athidhi Full Movie (2020) HDRip Watch Online Free

Anaganaga O Athidhi Full Movie (2020) HDRip Watch Online Free

Directed and written by: Dayal Padmanabhan
Starring by: Payal Rajput, Chaitanya Krishna, Veena Sundar
Genres: Thriller
Country: India
Language: Telugu

Storyline:
In an interior village fortune teller visits a poverty stricken family and tells them that their fortune is going to change overnight. A mysterious travelers visits their home on the same day and asks to stay overnight. What happens during that one intense night forms the rest of the story.Mallika (Payal Rajput) is a woman dissatisfied with the deal she has been handed by life. So when a houseguest turns up (Chaitanya Krishna) with a case full of wealth in tow, greed and desperation push her to take an extreme step. But will she get everything she wants from life? Anaganaga O Athidhi is the Telugu remake of the 2018 Kannada suspense thriller Aa Karaala Ratri by Dayal Padmanabhan. The original was critically acclaimed and the remake is helmed by the same director, but the end products end up seeming like chalk and cheese. Set in a rural background and revolving around the greediness of a poor family, the film’s story seems like gold on paper. However, as the story progresses on, the writing and screenplay feel outdated with lot of preaching and ranting proving to be a test to your patience. But that is only until the film slowly pulls up its socks.

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Review:
Mallika (Payal Rajput) is a woman dissatisfied with the deal she has been handed by life. So when a houseguest turns up (Chaitanya Krishna) with a case full of wealth in tow, greed and desperation push her to take an extreme step. But will she get everything she wants from life?
Anaganaga O Athidhi is the Telugu remake of the 2018 Kannada suspense thriller Aa Karaala Ratri by Dayal Padmanabhan. The original was critically acclaimed and the remake is helmed by the same director, but the end products end up seeming like chalk and cheese. Set in a rural background and revolving around the greediness of a poor family, the film’s story seems like gold on paper. However, as the story progresses on, the writing and screenplay feel outdated with lot of preaching and ranting proving to be a test to your patience. But that is only until the film slowly pulls up its socks.

Mallika (Payal Rajput) is a woman frustrated about everything in her life, both physically and financially. The ‘atidhi’ of the tale Chinni Krishna (Chaitanya Krishna) calls himself a nomad and is introduced to Mallika’s family as a journalist. They reluctantly agree to provide him shelter but the man foolishly flaunts the wealth he brought along. While it all seems naïve, it also promises something more to come your way. Things take a turn when the drunkard father, innocent mother and greedy Mallika decide to take his life. The film drags on from there and ends in a haphazard manner. The emotional ‘twist’ at the end hardly strikes a cord.

After Rx 100 Payal excels at playing a girl with an evil side to her again. She is expressive, but the dialogues are a major let down. Chaitanya’s performance is decent but he still needs improvement on his screen presence. While the rest of the cast also manages to pull off their parts well, it is the bad writing and outdated plot that proves to be a drawback.

Anaganaga O Atihidhi is sadly a thriller with many loopholes in it, but with a better script they could’ve been overlooked. This remake is a case of wasted opportunity with many beats of the original lost in translation.

Anwar Ka Ajab Kissa Hindi Full Movie

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Anwar Ka Ajab Kissa Hindi Full Movie (2020) HDRip Watch Online Free

Directed by: Buddhadeb Dasgupta
Starring by: Nawazuddin Siddiqui, Pankaj Tripathi, Niharika Singh
Genres: Adventure, Comedy, Drama
Country: India
Language: Hindi

Storyline:
Anwar a maverick detective works in a small detective agency Inner Eye in Kolkata. He has the habit to getting involved in the personal lives of his cases, which gets him into troublesome and comic situations.

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Review:
When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

When director Buddhadeb Dasgupta is at his best in Anwar Ka Ajab Kissa, his fourth Hindi narrative feature, he captures life’s broken rhythms beautifully and touchingly even as he celebrates the resilience of a little man.

Streaming on Eros Now, the film, which alternates between the brooding and the lively, and the wistful and the sardonic, is shot through with Dasgupta’s distinctive, often deadpan poetic flourishes and enlivened by a scintillatingly pitch-perfect Nawazuddin Siddiqui performance.

The melancholic tone of Anwar Ka Ajab Kissa is leavened with nostalgia for the receding light; the pessimistic air is tempered with lingering hope of regeneration; the hard, meditative edge is softened by sustained humanism. The treat is redoubled by the lead actor, perfectly cast as a private investigator who is more lost than the prodigals he is tasked to find.

Dasgupta suspends the titular figure, the man’s tale, and its spatial parameters somewhere between acute realism and genteel, tactile fancy. The eponymous protagonist is a faltering, unassuming detective unlike any we have encountered in Hindi cinema before. His job is to find answers. He poses questions instead.

Mohammad Anwar isn’t the cocky, tough-talking type either. He recalls with fondness his rural postman-father and his “hazaar khat, hazaar kahaniyan”. He breaks into a gentle jig as he sings a number inspired by a Sukumar Ray nonsense rhyme (Hattima Timtim…). He creates a dreamy world for himself and repeatedly retreats into it.

Anwar, sporting a black hat and dark glasses, carrying a backpack and a still camera for the purposed of gathering photographic evidence, and exuding a detached demeanour that belies his firm commitment to his job, works for a detective agency that sends him on assignments pertaining primarily to missing persons.

Be it in the field or in the confines of his modest home in a rundown building, the protagonist grapples with crushing loneliness. Siddiqui fleshes Anwar out with intuition and empathy, conjuring up an individual whose pluck is as intriguing as his plight is sympathy-inducing.

Angels Fallen Telugu Dubbed Movie

Angels Fallen Telugu Dubbed Movie (2020) HDRip Watch Online Free

Angels Fallen Telugu Dubbed Movie (2020) HDRip Watch Online Free

Directed by: Ali Zamani
Written by: Amanda Barton
Starring by: Nicola Posener, Michael Madsen, Houston Rhines
Genres: Horror
Country: USA
Language: Telugu

Storyline:
Film is about after the tragic loss of his wife battling the forces of darkness, Gabriel is persuaded to rejoin his former team of demon hunters traveling from relatively obscurity in America to the deep unknown regions of Europe. He is joined by his estranged best friend Michael who harbors a dark secret, the mystical Hannah whose visions predict the future, and a motley crew of demon slayers. After the tragic loss of his wife battling the forces of darkness, Gabriel is persuaded to rejoin his former team of demon hunters traveling from relatively obscurity in America to the deep unknown regions of Europe. He is joined by his estranged best friend Michael who harbors a dark secret, the mystical Hannah whose visions predict the future, and a motley crew of demon slayers. After losing part of his team Gabriel must confront his tragic past and decide who really is friend or foe.

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User Review:
I’m giving this movie three stars because the cinematography could have been much worse given the low-budget. This is as if someone saw Constantine and thought “I could do that” (only much worse), then threw in some Dragonball Evolution for good measure. Bad CGI, really bad casting (I mean, Nicholas Turturro?), and shockingly miscued music. If you want to see demons, give this one a pass and go watch Nekrotronic (or Evil Dead II).

From terrible acting, to bad CGI, to inconsistent audio. It seems like someone was just throwing it together to get something ot there. Each scene became steadily worse. I could only stand about 20 minutes of a 86 minute movie.

This movie (if you can even give it the dignity of being called a movie) is complete and utter garbage. I have seen more talented use of filming on CSPAN than this. The effort and graphics used in this film could have been done better by a high school A/V club. The acting was less than miserable, the “action” was mediocre at best and the dialogue could’ve put a gymnasium full of bees to sleep. Absolutely not worth the waste of time.

This movie looked to be made on a low budget, which probably explains some of the CGI, music, and location choices. The acting, for the main part, is not great. The main actor, who played Gabriel, acts monotone throughout the entire movie. If he showed at least 10% emotion, this may have been a little better.

The fight scenes were not well choreographed, and the death at the end – well, talk about just wanting to finish the movie any way possible.

I did watch the entire movie, because I do like movies that have this type of theme, but it definitely would not be one to watch twice,

I’m not sure if the actors were told to do under act and over act. It was just unbelievable. The positive is it helped me fall asleep, I have a great 35 minute kip. I know it hasn’t got a big budget but they could have made it up with the acting. No such luck. I’d say if you want a classic silly bad acting movie to watch then this is it, otherwise don’t bother. I was shocked as some of the actors were good in other films but this… terrible just terrible

Har Din Diwali Hindi Full Movie

Har Din Diwali Hindi Full Movie (2020) HDRip Watch Online Free

Har Din Diwali Hindi Full Movie (2020) HDRip Watch Online Free

Directed and written by: Maruthi Dasari
Starring by: Sai Dharam Tej, Raashi Khanna, Sathyaraj
Genres: Romance
Country: India
Language: Hindi

Storyline:
When Raghu Ramayya is nearing the end of days, his three sons and one daughter manage to set aside two weeks for him. His grandson Sai however decides to help him celebrate life before his impending death and maybe even bring the whole family together, so his grandfather dies a happy man surrounded by loved ones.

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Review:
With Prati Roju Pandaage, Maruthi tries hard to deliver a tale that shows how parents feel when they’re nearing the end of days and their children have no time for them. He also tries to show the intricacies of the bond a father shares with his children. But it’s clear from the get-go that this is Raghu Ramayya’s (Satyaraj) story above all. And unfortunately for Sai Dharam Tej, he gets massively overshadowed by the likes of Rao Ramesh and Murali Sharma.
When Raghu Ramayya is nearing the end of days, his three sons and one daughter manage to set aside two weeks for him. His grandson Sai (Sai Dharam Tej) however decides to help him celebrate life before his impending death and maybe even bring the whole family together, so his grandfather dies a happy man surrounded by loved ones. He’s so hell-bent on it that he even helps him meet his old flame, reconcile with his best friend and even gets ready to marry the girl of his choice.
Thrown into the mix are Rao Ramesh, as the eldest son who has a business deal he needs to close, Murli Sharma as the client he’s trying to woo, Ajay and Satyam Rajesh as Sync Brothers, whose only function in the tale is to appear on-screen and get beaten up by a buff Sai Dharam Tej in two random scenes, a trusty sidekick played by Suhas and most importantly, Aarna (Raashi Khanna), the TikTok queen who believes Sai is a fan who came to meet her in Rajahmundry all the way from the US.
Maruthi even manages to get the tone of the film right at first. Despite the cliché route the story takes, with absolutely no surprises, tears and false death proclamations galore, the director manages to make the first half work. It is replete with dark humour and the jokes somehow seem to land most of the time. Rao Ramesh delivers his lines with such ease, it’s hard not to laugh along. The film however suffers from the ‘second half syndrome’ where things go downhill and get so jarringly repetitive, it’s hard not to notice. There’s a long, overdrawn joke about each child of Ramayya describing to him how his funeral plans are being made, complete with live samples and tacky to begin with, it gets too much after a while. The fact that most of the actors in this film (including Sai Dharam Tej) have nothing much to do also begins to get clear.
Satyaraj, Rao Ramesh, Murli Sharma, Hari Teja and Raashi Khanna, even in the limited role, hit the ball out of the park. While Satyaraj does tend to get a little melodramatic at times, it’s hard not to feel for him and his character. Sai Dharam Tej, despite being set up as the hero in the first half, gets overshadowed as the film progresses. But he does manage to hold his own when the time comes. While cinematic liberties are constantly employed, when a person diagnosed with lung cancer begins cycling and playing cricket, you know it’s too much to handle. By the time the climax and Sai Dharam Tej’s soliloquy rolls around, you’re just waiting for what you know is to follow next, the happy ending. The cinematography by Jayakumar is apt and Thaman S’ BGM works well for the film.
Don’t get us wrong because Prati Roju Pandaage has ample moments that’ll make you smile and relate to the characters, if not anything else. Go watch this one if family dramas that are relatable and leave you feeling good are your cup of tea.

Naanga Romba Busy (2020) HDTVRip Full Movie Watch Online Free

Naanga Romba Busy Full Movie (2020) HDTVRip Watch Online Free

Directed by: Badri
Starring by: Yogi Babu, Shruti Marathe, Rittika Sen
Genres: Comedy
Country: India
Language: Tamil

Storyline:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.

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Review:
Like its title suggests, Naanga Romba Busy has its hands quite full right from the beginning. The remake of the Kannada film Mayabazar, the madcap comedy follows the life of three men in desperate need of money—an honest cop forced to stray from his morals, a scamster always on the lookout for cash and a lovestruck young man. Set against the demonetisation period of 2016, the theme of the film lends itself well to the genre. The film, however, does not quite hit the mark.
The film juggles a bunch of characters right from the get-go. Prasanna plays the upright inspector Kumaravel, who values respect at the cost of paying his own bills. Yogi Babu, on the other hand, plays the notorious Kuberan, who swindles the entire city for fast cash. And somewhere in between these two extremities of the moral scale is Karthik (Ashwin Kakamanu), a middle-class youngster in love with Rittika Sen’s Richie Rich. When the lives of the three men collude, especially in the middle of a country-wide financial upturn, comedy ensues, where circumstances push them to take drastic measures and get their hands dirty.
A few instances of comic relief (thanks to witty one-liners from Yogi Babu and Mottai Rajendran) apart, the film does little justice to such a plump concept. Prasanna doles out a noteworthy performance and makes Kumaravel the film’s voice of reason. Shaam, too, plays ACP Ravichandran, the film’s complicated villain who butts head with Kumaravel. But the film lacks punch and often finds itself in preachy territories, giving us dated, emotional sermons about pre-marital romances and pregnancies, for instance. If the narrative had stuck to the pure comedic nature of the concept itself, Naanga Romba Busy would have been a wholesome ride.